A Very Markives Christmas



10 December 02024: ACME-21/AVMX-15–There’s A Lot Of Variety Out There, No Matter What The Media Are Playing

A tip o’ the visor this year to Hip Christmas, where the interest in holiday tunes is year-round and very very comprehensive.  A number of this year’s choices (#2, 3, 7, and 8, to name four) have come to my attention through this site.

One other thing that I’m watching very closely this year is the Capitol Fools, an outfit continuing the legacy of the late and lamented Capitol Steps.  No holiday tunes yet that I can find, but there’s hope for the future, even as their tunes might range to the too topical for long-term interest end of the holiday spectrum.

In the meantime, here’s another selection of songs you probably won’t be hearing unless you spend time looking for them.  Which is, of course, what I do.

1. Santa Stole Thanksgiving, Jimmy Buffett.  This tune provides an excuse to look backward on the calendar as we recognize other late-in-the-year holidays.

There are not many Thanksgiving songs, which I don’t view as a problem, but as one who favors an inclusive view of the winter holiday season, it’s reasonable to kick off the list with this song.  Plus, Jimmy B. is usually a welcome presence on the airwaves, virtual or otherwise.

2. That Swingin’ Manger, Bob Francis.  I like multi-level parodies among my holiday comedy, and this one fits that description.  The song starts out sounding like a simple big-band/swing era remake of “Away In A Manger”.

Wrong on both counts.

The track dates from 01995, and can be traced to Ann Arbor and Schoolkids Records, which put out an album, “Blame It On Christmas”, that collects a number of apparent big-band versions of Christmas standards.  This one diverges from the classic lyrics right around verse 2, in a pleasantly comical direction.

Also on this album are such apparent gems as The Second Noel (not a bad idea for a sequel, actually) and The Lil’ Endless Summer Boy, which will take one out of The Little Drummer Boy Challenge if heard between Black Friday and Christmas Eve, so is not linked here.

3. They Shined Up Rudolph’s Nose, Johnny Horton.  We keep the funny stuff coming.  This one really is a throwback, to 01955. 

4. Christmas Is Coming, Vince Guaraldi.  I tapped the soundtrack to A Charlie Brown Christmas back in 02011 for Christmastime Is Here as part of an attempt to highlight remakes that don’t suck—of which there are fewer than I had hoped.

One can dig a lot further into that album for some good tunes, this one included.  There are some echoes of Linus and Lucy, which tag this as a holiday tune even without sleigh bells.

Since the LDBC (in which I'm still alive this year) came up above, it’s worth pointing out that a land mine lurks on that disk in the form of My Little Drum, which must be avoided from Black Friday until the 24th.

5. A Nonsense Christmas, Sabrina Carpenter.  In the tradition of Warm December (AVMX-12) and Vixen (mentioned, though not included, in AVMX-5), here’s a little harmless* holiday innuendo that finds its origin in one of Sabrina C.’s more popular and easily-morphed tunes.  The world waits to see what would happen if she mixed a little Espresso into her eggnog.

Sabrina has had a pretty good year, although it’s worth noting that she was included in AVMX-7 in 02016, well before the recent surge in her public profile.  It’s not often that The Markives is ahead of the trends by so many years.

6. Holidays, Meghan Trainor.  It’s become a tradition lately for Meghan T. to hold down the #6 spot on AVMX, at least until she runs out of good holiday material or something of hers gets too widely known.  Even with Earth, Wind, and Fire as a backing band, this one seems to have avoided wide exposure—which is simultaneously fortunate and unfortunate.

While this one is solid musically, the makeup artists for the video may not have been thinking too clearly–Meghan has a lot of stuff apparently glued onto her face, which cannot have been comfortable.

7. Presents For Christmas, Solomon Burke.  Another time-traveling song, that dates back to 01966.  We are reminded yet again that there’s a lot to be said in holiday tunes for making the point and wrapping things up**; this song runs only 2:40.

Fun fact: In 15 years of doing this, this is the first song in the AVMX collection that has a title starting with the letter “P”.  It’s not like I’ve been deliberately seeking out or avoiding anything in the alphabet, but more-valuable-in-Scrabble letters such as F, H, J, K, W, Y, and Z have all topped off at least one entry in the 1.5 decades.

Nothing starting with “Q” yet, though.  To the extent that a conscious search exists (not much), it continues.

8. Jingle Your Bells, Hush Kids.  Because the neighbors banging on the window with a big flashlight doesn’t get the attention as a Christmas happening that it ought.  The optics there really amuse me.

This is a partner of sorts to #5, but also a callback to Jingle My Bells by The Boy Most Likely To from AVMX-5.  It goes in something of a different direction, though.

9. Merry Christmas In The NFL, Buckner & Garcia.  B&G may have been, by most reasonable definitions, a one-hit wonder ("Do The Donkey Kong", the follow-up to "Pac-Man Fever", only hit #103 on the Bubbling Under chart), though it  wasn't for lack of trying.  That said, this song may deserve some of its obscurity.  Nonetheless, it's a fun little tune.

10. O Little Town Of Hackensack, PDQ Bach.  One more tribute to the late Peter Schickele (The Markives, 19 January 02024).  This is one case where a well-tuned choir is welcome at AVMX.

A YouTube commenter has pointed out that there was no New Jersey accent in PDQ's time, making some of the choral stylings unnecessary.

"Unnecessary" does not mean "unwelcome".

A line, that, which could be applied to a lot of PDQ's works.

Io Saturnalia!

M–>

*–Maybe not completely harmless, in the case of Vixen.
**–Pun intended.



10 December 02023 (Happy birthday yesterday!): ACME-20/AVMX-14–Misspelling Megan

I’m not prepared to go to war over this, but I think that “Megan” is the right way to spell that name, and not just because that’s how nephice #10 spells it–after all, that wasn’t her choice.  I do take a harsher stance when confronted with “Meghanne” [which seems like it’d invariably be accented on the second syllable] or anything with a “Y” in it, though–there are limits, people*.

That said, I am also not prepared to discard good off-the-beaten-path holiday music over a minor dispute of orthography, and so we have songs 2 and 6.

1. Christmas In The Car, Mulberry Lane.  It’s the second appearance in AVMX for this group.  The song showed up in a Pandora non-holiday stream about a month ago, for which I was less than fully prepared.

On one hand, I like that the focus is from time to time on safety, as the sisters from Nebraska make several references to wearing seat belts.  On another, as this song moves forward in time, there are multiple perspectives possible.  The narrator/singer seems to be happy that she’s moved on from a Porsche Spyder to a 4WD Chevy to a minivan with 3 kids.

I would regard that as something of a step down in the world.

The differing interpretations make this a complicated tune, which makes it a good fit for AVMX.  Possibly too much to think about in the first song out of the chute, but I liked this one as a memorable song to kick off the list, which is one of the things I use as a memory aid (see AVMX-8 for the details).

2. What Present’s This, Megon McDonough.  I very much want to perpetrate the prank at the center of this song, but it would be extremely challenging to pull it off.

Or would it?

Only those who see me this Christmas season will know for sure.

3. This Year's Santa Baby, Eartha Kitt.  I have previously mentioned songs that made the AVMX playlist even though I had not heard of them before the list was ready to compile.

This one, which came out one year after the original SB in 01954, beats even that immediacy.  Once I learned that this song existed, I cleared a space on this year's list before I even listened to it.

It is at once doubly puzzling that this hasn't gotten more airplay over the decades and that it's not been remade frequently along the way.  Here it is for eternity, or at least that homeopathic corner of eternity that visits this outpost of the I'net.

4. Another Christmas Song, Stephen Colbert.  Tom Lehrer, in his spoken introduction to the holiday standard (by my definition) "A Christmas Carol", comments that none of the other holiday standards attempt to capture the "true spirit of Christmas" as it's celebrated in America.

Which is to say (and as he said), the "commercial spirit".

Stephen C. has successfully added to that roster of tunes, which may not stand at much more than 2, with this number.  Bonus points for working in the phrase "ad infinitum".

5. It Was A Silent Night At Least Until Jeff Lynne Arrived, Grandaddy.  Another second-time visitor to AVMX, Grandaddy has shifted focus from the Alan Parsons Project to the Electric Light Orchestra, for no apparent reason–yet somehow this works.

I admit also to being attracted by the notion of a “Silent Night” parody.  There aren’t enough of those out there.

6. Christmas Coupon, Meghan Trainor.  This is Meghan T.’s third appearance on one of these lists.  All 3 songs have checked in at #6–the first two times, that was inadvertent.

Now it’s a tradition.  (I do, after all, work at a place where accidents have this annoying way of becoming precedents.)

The link up there is to the official lyric video, which MT’s production team does very well by channeling Max Fleischer and “follow the bouncing ball”.  Except instead of a ball, it’s Meghan’s animated head.

Nice.

7. Christmas With The Devil, Spinal Tap.  I’m not at all sure what took me so long to highlight this one.  It’s not even been on the relatively recent “late cut” lists, nor even on the running list that lives on my desk 24/7/365**.

Which seems like a tragedy, but one easily corrected.  I kind of think of this song as an ancestor of South Park's "Christmas Time In Hell", dating back to an era when video wasn't quite so essential to selling certain songs.

Enjoy.

8. Christmas In Canada, Eric Bingham-Kumpf.  Once again, we're in "take the composer/performer's word for it" territory in slotting this as a holiday tune.  Following from my note on #7, it's probably the video that sells this 02023 composition as a Christmas song.

9. Christmas In Antarctica, The Minus Five.  It’s technically summer in Antarctica on 25 December, but at least for a few more years, it should still feel appropriately chilly down there then.

Our years-long selection of geographical holiday tunes now extends about as remotely as is possible while remaining on Earth--literally from one end of to the other.

10. Space Christmas, Shonen Knife.  Having reached Antarctica, it is only right that we leave the planet for this year’s final installment.  Shonen Knife is a Japanese group with a long history, so there might be some translation issues with their lyrics, such as when Santa is described as arriving on a "bison sleigh".  That doesn't diminish anything.

Io Saturnalia!

M-->

*–I am a fan of Megyn Price’s work, but her parents dropped the ball in naming her.
**–366 some years, next year included.



10 December 02022 (Happy birthday yesterday!): ACME-19/AVMX-13–Christmas In The Intersection

A couple of years back, I included a picture of a 4-set Venn diagram in AVMX as an illustration of the kind of Christmas crossover that was possible.  As a refresher, here 'tis again:



How desirable that sort of thing may be is for others to decide, probably on a case-by-case basis, but some of this season's selections were very much in the same vein.

1. Marshmallow March, Surfrajettes. Exhibit A: This properly falls in a triple intersection of surf music, instrumentals, and Christmas tunes, so you can omit oval D in the diagram.

That said, there's a lot working against this as a Christmas song.  Let's start with the title, which doesn't exactly speak "Christmas".  "Candy Cane Cha-Cha"?  I could buy that combination as a holiday tune.  Similarly for something like "Sugarplum Samba", or possibly "Gingerbread Gavotte" (which really belongs on a hypothetical Carly Simon holiday album).  "Marshmallow March", though?  The candy--while something I enjoy--is not exactly a high-profile Christmas, or even December, treat.  Indeed, I suspect that many of us associate marshmallow much more strongly with the holiday at the other end of Christ's life.

It could make a little more sense for Christmas as "Marzipan March", I suppose, but we play the hand we're dealt around here.  However, I have come rather to like this song over the course of several listenings trying to tease out the holiday connection.  I'm content to take the artists' declaration at face value.

2. The Fruitcake That Ate New Jersey, Lauren Mayer.  Exhibit B:  Lauren Mayer is a musical theater enthusiast who dabbles also in comedy and, clearly enough, Jewish culture, which gives us another 3-way intersection.  Fruitcake sat in obscurity for decades before surfacing in 02010.  The song is taken from the album Latkes, Schmatkes!, a collection of Hanukkah-friendly tunes.

This may not be the sort of thing that the ecumenical movement is trying to encourage.

3. I Got A Cheese Log, Trout Fishing In America.  Despite the fact that this is turning into a comedy block*, putting together a run of songs mentioning, though not always about, food was irresistible.  In the future when I'm trying to remember all of these songs in order when far from the I'net, that will be useful to me.

When you try to set up a comedy channel on Pandora, you wind up hearing a lot of automatically generated suggestions that are only comedy-adjacent:

Some judicious use of the editing functions makes it possible to curate something that rises to reasonable standards of humor, and includes tunes like this one.  See also the Caroleers from AVMX-11.

4. The Happiest Time Of The Year, Candypants.  And the food theme continues in the name of the artist.  Speaking of ecumenism, this may well be the finest Christmas song ever that mentions Iran--an ardently non-Christian country--in the lyrics.

Admittedly, that's a small universe, but one looks for good where one can.  (The Capitol Steps probably recorded such a song at one point; I've not looked back fully.)

This is almost certainly the darkest song I've ever included in AVMX.  While this was unintentional, since I just like the song, it is another piece of data in support of my thesis that there's room enough in Christmas for everybody.

5. White Christmas (3:00 Weather Report), Bobby The Poet.  Once again, we have a mutil-level parody.  This tune takes the idea expressed oh-so-seriously (reasonably so, and very well) in Simon & Garfunkel's 7:00 News/Silent Night (AVMX-2) and treats it somewhat more whimsically.  The artist's name and performing voice add up to a two-way parody on both Robert F. Kennedy and Nobel laureate Bob Dylan.  This is certainly one of the most obscure songs I've ever highlighted in AVMX.  I'm not fully convinced that this is a good thing, but the idea is kind of fun, the tune is pleasant enough, and the coincidences are too amusing to pass by, so it's worth a few listens every year going forward.

6. Naughty List, Meghan Trainor.  Back toward the mainstream here, even as we duplicate a title from AVMX-5.

Let's be honest here: "Naughty list" is a richer source of good popular culture than "Nice list".  The sinners, it is said, are much more fun**.

7. Shake Hands With Santa Claus, Louis Prima.  The link here is to a 01951 recording of this song, which makes it one of the most seasoned recordings ever to be a part of AVMX and certainly worthy of this year's throwback tune title.

Fun fact: The first 7 songs this year each have a run time under 3 minutes.  It helps, I suppose, if your holiday song doesn't have 5 verses.

8. Sugar And Booze, Ana Gasteyer.  We return to the food theme as we finally bust through the 3-minute barrier, with the title track to an album I tapped a couple of years back.  One of the reasons for slotting this song here is that it's musically not unlike #7, just coming along decades later.

Another reason for including it at all is that it's been cleared as "safe" for Little Drummer Boy Challenge players, even though it mentions The Boy and throws in a "pa-rum-pum-pum-pum".  Since the reference is both brief and less than fully musical (Ana doesn't really sing the risky drumbeat), which renders this safe.  In the words of LDBC master Michael Alan Peck, "it's not the tune, so it doesn't count."  I got taken out by a Capitol Steps parody one year, so this kind of edge case matters to me.

A third, and really the only necessary, reason is that this is an entertaining tune that's also funny.  The link up there is to a live performance on Late Night With Seth Meyers, in which the xylophone part is played on a toy instrument.  Kind of a neat effect.

9. Santa Claus Is Watching You, Ray Stevens.  This one was one of the last-second cuts last year, as more notable songs showed up on my radar.  It deserves to be here.

There are times when a backlog needs clearing, and this is one of those.

10. Melt! Goes The Snowman, Nooshi.  This comes from an album that promises Christmas songs with familiar melodies.  I stumbled across it while indiscriminately looking for unheralded Christmas music, and just reading the title made me laugh.  Out loud.  At that point, the bar that needed clearing was suddenly a lot less high.

I appreciate the word choice that went into the lyrics.  "Plop Goes The Snowman" was right there, but the writer went another, better, way.

It's a nice wrapup to another decet of alternate (not "alternative") holiday tunes.

Io Saturnalia!

M-->

*--Not that I find anything wrong with that, but I try occasionally to break up the funny stuff with other songs.
**--A
pologies to Billy J.



10 December 02021 (Happy birthday yesterday!): ACME-18/AVMX-12–Another Year, 10 More Songs

On 19 November, Ken Levine (whose weekly podcast dedicates one episode annually to obscure holiday tunes.  Here's this year's version.) posted the following on his excellent blog:

I see that Sirius/XM has 19 channels dedicated to playing Christmas music.
There aren't 19 Christmas songs!

Certainly it seems like that sometimes.  It is in part for that reason that I continue this dodecade-long quest of spotlighting underplayed songs o’ the season.

Seasons, actually.

1. It’s (Already) Beginning to Look a Lot Like Christmas, Capitol Steps.  Though the Steps are no more (The Markives, 2 March 02021), their legacy lives on.  This one shares my sentiment about the expansion of the winter holidays well beyond their right and proper starting date.

However one might define “right and proper”, of course, which in any event shouldn’t be before Thanksgiving.

2. Traditions of Christmas, Mannheim Steamroller.  I’ve not included any MS tunes on these lists until this year, largely because of the remake factor.  After digging a bit, I turned up this original from their second album, so we have the sounds of the Steamroller with the added advantage of new holiday music.

That’s a win/win, from where I type.

That said, this song also exists with lyrics.  While ditching the words may make this a little more difficult to tag as a holiday tune (we kind of need to fall back on “Mannheim Steamroller, despite its range of works,  is largely and perhaps unfairly known for Christmas music”, which is less than fully satisfying), I prefer the instrumental version, and so that’s what’s linked up there.

3. Star of Wonder, Roches.  A study in contrasts presents itself here.  Right after an instrumental holiday tune, we have...an a cappella number.

Put it all together (though you shouldn't) and you have two complete songs with both music and lyrics.  But they're really better off appreciated separately.

4. Santa Claus Is Coming To My House, Karla DeVito.  24 hours ago, I didn't know that this song existed.  Now it's been immortalized on this ever-expanding list.

Owing to the nature of the calendar and the radio stations I listen to, a lot of the research for each year's AVMX list happens 11+ months beforehand, after the previous year's list goes live and I start hearing a wider range of holiday tunes.  I was, as is my nature, casting about the I'net last night looking for inspiration and came across hipchristmasmusic.com, which is a gold mine of the obscure and unjustly neglected among holiday music.  Also at least a silver mine of songs that deserve their obscurity, but one learns to take the bad with the good in projects like this.

The net effects of this calendar quirk are that 3 songs were taken off the original version of this year's list and replaced by late-breaking discoveries, and there are already at least a dozen tunes in the holding pen for 02022.  Sometimes songs that seem like good choices in mid-December don't hold up so well when revisited the following early December.

As to this number: Karla D. is perhaps best known for her album Is This A Cool World Or What?, from which this song is not taken.  The album cover made it a favorite at Winter Camp back in the days when Winter Camps could be counted with single Arabic digits.

5. Strangest Christmas Yet, Steve Martin & The Steep Canyon Rangers.  Because when you can highlight a combination of holiday comedy and some of the best banjo playing ever recorded, you don’t ask questions.
       
I want to believe that the home movies shown in the video are actual family footage rather than something put together for this project, but my willful naivete only extends so far.

6. My Kind of Present, Meghan Trainor. I have organized the collection (now 121 tunes) of AVMX music into a variety of overlapping subcategories, which is useful when I’m fast-forwarding through the flash drive that houses the whole list looking for certain types of holiday music.  A category that’s kind of new this year is “Fun, but not necessarily funny”, which I’ve mentioned as an idea several times (both of Jimmy Buffett’s contributions, for example) but not quite formalized before.

This song qualifies.  I like MT’s work in general, but she went off a cliff for a while there after All About That Bass and Title, revealing herself in Dear Future Husband and Lips Are Movin’ to be what Harry Burns would have called a “high-maintenance woman”.  It’s good to see that she has pulled back from that edge a bit.

7. Cozy Little Christmas, Katy Perry. Kind of a double shot here, with #6.  Two songs by popular singers who recorded something new for the holidays.  This is a trend that I like.

There was a third song that was on the edge of making this a trio (which was not one of the 3 late cuts), but I has a suspicion that it might blow up and get too much exposure sometime soon.  If I’m wrong, which is likely, maybe we’ll see it in 02022.

8. You Ain’t Getting Diddly Squat, Heywood Banks.  I take requests, provided they're consistent with the format.

I woke up on the morning of 1 December with this song running through my head, which I interpret as evidence that the universe wants it in AVMX.

Far be it for me to deny the universe a simple request that is consistent with the format around here: a fun little number that isn’t overplayed in the annals of Christmas comedy.

9. Warm December, Sabrina Claudio.  You might want to send the kids out of the room for this one.

The video here isn’t over any decency lines that concern me*, but it’s Right. Up.  Against.  The Line. in a number of places.

Feature or bug?  You be the judge.

Optical matters aside, this is a nice little tune that is probably getting all of the attention it can.

10. Santa Island, Na Leo.  After #9, a more upbeat–one might even go so far as to say “peppier”–song seems called for to close out this list.  And there’s usually something peppy among the music of Hawaii, including but certainly not limited to the holiday tunes.   After all, the ukulele, like the banjo, is not an instrument on which to play the blues.

Io Saturnalia!

M–>

*–If indeed such lines even exist, which is an iffy proposition.



11 December 02020: Addendum for Advent

Steve from Allen Park, MI sends along the following:

You can’t really hate covers until you’ve heard the Carly Rae Jepsen version of Last Christmas.



Maybe there should be a different list of Christmas covers we don’t need. Like anyone other than Jose Feliciano doing Feliz Navidad.

That would be a very long list. 

A very.  long.  list.

All the Jose-free versions of FN is a good start.  Any version of LC that is without Wham! also qualifies.  Many holiday classics are that way because of definitive versions that should be left alone.   Indeed, one could get off to an excellent start simply by looking at this graph and saying "No more remakes of any of these songs.  Especially The Little Drummer Boy*".



I've railed against remakes rather a bit in the ACME/AVMX series; it's always worth reinforcing the "Write (or record) something new, people!" mantra.  In the case of Carly Rae Jepsen, though, it's especially disappointing to see a remake, since she's also got a nifty new tune out this year: "It's Not Christmas Till Somebody Cries".





Consider this an extra to AVMX-11, bringing us to 111 songs in total.

And that's beautiful.  Just beautiful.

M-->

*--I'm still alive in this year's LDB Challenge.



10 December 02020: ACME-17/AVMX-11–The Good Eleven(th)

That would refer to the place in line of this year's list of unjustly overlooked holiday tunes*, not the length of the list, which remains fixed at the standard-since-02014 length of 10 songs.  (While that’s a YouTube hyperlink, TGE is most assuredly not a holiday tune.)

Observation: In assembling these annual lists, I typically work from notes put together as much as a year earlier, without giving much thought to the sound of the songs.  When I pulled the audio tracks all together**, I was struck as to how incredibly variable these sounds of the season turned out to be.  Holiday radio tends to be more jarring than other formats in its transitions, but this year turned out to be very eclectic.

Which is probably a good thing.
 
1. To Christmas! (The Drinking Song), Straight No Chaser. The a cappella crew makes its 4th appearance, tying the Trans-Siberian Orchestra, as it kicks off this year's decet.  “What the holidays need is a drinking song in the form of a countdown” has not been thought often enough, perhaps, but it’s good that these guys did.  Commendably, they did not take the 99 Bottles of Beer on the Wall route and sing out all of the days in the countdown.

And a reference in song to New Year’s Eve is always welcome ‘round these parts.


2. I Want An Elephant For Christmas, The Caroleers. Because anyone*** can ask for a hippopotamus.  This one’s a bit more creative in the large-animal-as-gift category.  It comes from the Santa Claus Is Coming To Town album, which seems to have some potential for future editions of this list.

3. Christmas All Over Again, Tom Petty & The Heartbreakers. One from the “mainstream artists recording their own Christmas music rather than going the remake route”.  This needs to be encouraged. Say what you will about "Last Christmas" and "Whamageddon", the rush to avoid it each year--but George and Andy at least had the decency to record something new.

4. It’s Christmas Once Again In San Francisco, Barry De Vorzon.  The geography lesson embedded in these lists moves to the Bay Area.  This seems a bit more country-twangy than one might expect from SF, or even San Jose or Oakland.

5. The Season's Upon Us, Dropkick Murphys.  The group's name involves the word "Dropkick", and the album is called Signed and Sealed in Blood.  Surely fun is not far off, one thinks.

One would be correct.  The video is also kind of amusing.

Something I only noticed late in the writing game: This is the only song in this year's edition of AVMX that doesn't have the word "Christmas" in its title.  Interesting, and completely unintentional, but it's the first list with such a heavy ration of songs that state their 25 December intent up front.

6. Green Christmas, Barenaked Ladies.  The comes from the soundtrack to the movie The Grinch, which some say should have remained animated.

7. Christmas (Comes But Once A Year), Amos Milburn.  Follow me here:

    Entry #6 causes one to think of Stan Freberg's Green Chri$tma$, which is at once a comedy Christmas classic and ineligible for inclusion on these lists by virtue of not being (comparatively) obscure.
    A song within that sketch uses the title of this 01960 song as a recurrent phrase, if not, perhaps, a title.
    Which makes for a nice connection between #6 and #7.
    And AVMX tries to include one "gone too long" tune per year.

That adds up to justification on multiple fronts.  Enjoy.

8. Moonbows For Christmas, Amy Hanaiali`i Gilliom.  Speaking of green Christmases, here’s a song from Hawaii.  With Colbie Caillat and Imua, that's a hat trick of Hawaiian tunes beyond MK that have been racked up here.

Fun fact; The concept of a moonbow goes back at least as far as Aristotle.


Less fun fact: Moonbows are typically so faint that the human eye cannot make out the colors.  To the vast majority of us, they're all-white.  Long-exposure photography makes the colors visible.


9. A Willie Nice Christmas, Kacey Musgraves f/ Willie Nelson. In a season where the nation seems to be getting much more liberal, for better or worse, about marijuana****, the time is not far from right for this.  Lyrics like “leave some special cookies out for Santa” admit to a less nefarious interpretation, but I’m not sure anyone can put a drug-free spin on “may we all stay higher than the angel on top of the tree”.

10. Christmas Tips, Richard Kind.  Parody is layered on top of parody in this one--which means it's very much at home in AVMX.  Another in the "Christmas Tunes from Unlikely Places" file, this one was written by John Mulaney for the Documentary Now! TV series and sung by a terrific character actor (Mad About You, Spin City, Curb Your Enthusiasm, Red Oaks, Married--and the list goes on).  CT comes from the "cast album" of Co-Op.

The cast album took 24 hours to record, if the album cover is to be believed.  (A big "if", I'll admit.)

The show ran for one night, also according to the album cover.

It's nice that we have a show relic in this paean to holiday gratuities
, sung by a doorman.

Io Saturnalia!

M-->

*–All eleven (in reverse order)  may be found here, of course.
**--
I have all 110 songs on a flash drive.  My memory game is to hit "shuffle" on that when I'm driving and try to name the 110th song to be played, which is a challenge that typically runs over several days.  I'm 1 for 1 this year.
*
**–Anyone can, but most people really shouldn't, though, including Kacey Musgraves and  LeAnn Rimes (The Markives, 26 December 02018).  Also, to be honest, anyone over the age of 12.
****--Pardon me.  Cannabis.



10 December 02019 (Happy birthday [L. = L] yesterday!): ACME-16/AVMX-10--Another 10 Gestures, Or "I've been at this for a decade?  How did that happen?"

That asked, it's been a good year for finding holiday comedy--about 50% of the mix this year, depending on how one counts #8.  So we'll start out with something else entirely.

1. Christmas Night In Harlem, Raymond Scott Quintette.  The conductor/arranger of scads of cartoon music (check out "Powerhouse") shifts his band toward the holidays.  This is another Christmas instrumental, so it's a matter of looking carefully for where the holiday influence has been assembled.  You may find it necessary simply to trust the title.

2. Elf's Lament, Barenaked Ladies. It's time for something upbeat, and to clear the 11-month wait on the list for this tune.  As I've mentioned before, a lot of Christmas hymns sound more like funeral marches than anything remotely celebratory.  The winter holidays are supposed to be at least a little bit enjoyable.  Of course, the point of this tune is that the elves regard the holiday runup as somewhat less than enjoyable, which is a perspective worth thinking about in a hypothetical world where elves exist.

If it makes life easier for some elves, "naughty" sounds that much more appealing.

3. Christmas Eve Eve, Paul and Storm.  Another song extolling Christmas Adam and thus pushing the envelope on the duration of the holiday season.  (Where was this last year when I was putting together a run of songs about the days leading right up to Christmas?)  The opening line of this song is "Today we sing the praises of December 23rd", which one can only hope means that there are 365 other songs out there in a similar vein.

Okay, so that's among the longer of shots.  (Right down there with the hope that Lou Gramm's 01987 song "Midnight Blue" was part 1 of a 64-part salute to Crayola crayons.)  That said, I like the fact that this song steals some of Good King Wenceslas' too-long-held thunder by also noting that 26 December is the feast of Stephen.

4. Santa Claus' Party, Les Baxter.  Here's one of the customary throwback pieces.  The much-derided-around-here chorales might do well to sing this a bit more and "Sleigh Ride" a bit less.

Make that a lot less.

5. Santa Claus Meets The Purple People Eater, Sheb Wooley.  Once is happenstance, twice is coincidence, but three times...ah, then you're on to something.  I think I've discovered a pattern:

        "Flying Saucer" by Dickie Goodman was soon followed by "Santa and the Satellite".
        "Monster Mash" by Bobby "Boris" Pickett led to "Monster's Holiday" (as heard on AVMX-9).
        The Royal Guardsmen followed up "Snoopy vs. The Red Baron" with "Snoopy's Christmas" (AVMX-2).

In short:
Novelty records from the 01950s and 01960s frequently begat holiday-themed sequels.

So it is with this one. I haven't had any luck finding "An Alley-Oop Christmas", or "Holidays At Camp Granada" (Allan Sherman's "12 Days of Christmas" [AVMX-3] and "Christmas '65" don't count here because they don't share the setting of "Hello Muddah, Hello Faddah".), but it's not for lack of trying.

My dream here is that someone finds a reel of recording tape in a closet somewhere on which Brian Hyland recorded "Itsy Bitsy Teeny Weeny Velvet Fur-Lined Red Bikini".

One can wish--although, off on a tangent, we find that that phrasing violates an odd little grammar rule regarding the order of adjectives that all English speakers apparently know, more or less by osmosis.  Here it is, from Mental Floss:



The correct order, according to this rule, would move "red" up the list, and wouldn't scan as nicely (itsy-bitsy teeny-weeny red velvet fur-lined bikini).  But if that's the only reason why that song doesn't exist, I'm prepared to grant a waiver.

By the way, I submit that anyone talking about a lovely little old rectangular green French silver whittling knife will sound like a maniac regardless of the order of the adjectives.
       
6. Wrapped In Red, Kelly Clarkson.  Speaking of red velvet bikinis...but I digress.

Seriously, I am, in general, loath to consider products of American Idol for inclusion here, which is why it's taken a few years since this one's release to make it to AVMX.  However, as I'm known to like the color red, and have been strongly in favor of new songs coming into the Christmas canon, it seems right to recognize this attempt and move it off the waiting list.  It's not like it's burning up the airwaves or the I'net with repeated play or a string of remakes.

Moreover, there's nothing out there that captures the element of "risk" in the winter holidays nearly as well as this one does.  And that's important.

7. Waffle House Christmas, Bill Anderson.  Back to the pattern in #5: There may be no "Pac-Man Christmas" in part because Buckner & Garcia were busy producing the Waffle House Christmas album from which this is taken.*  This album also includes what I consider to be a misguided WH-centric version of "The 12 Days of Christmas", to wit: Waffles are assigned the #2 slot on the countdown ("2 waffles baking"), which is just wrong.

    #1, as in "And a waffle with butter and syrup"?  That would work.
    #5, to take advantage of the buildup to that slot and the increased emphasis when sung, like "5 gol-den waffles!"?  Sure.

"Waffle" is in the name of the franchise, and so deserves to be right up front or at the point of highest emphasis in the list.  That, and "A bowl of delicious hot grits" is a massive letdown in position 1.

Back to the recording studio, folks.

8. Secret Santa, Ana Gasteyer & Maya Rudolph.  New in 02019 is this post-Saturday Night Live collaboration.  Clever wordplay, plus, as a bonus, one cannot fail to be impressed with Sugar and Booze as an album title.

9. That's What's Wrong With Christmas, Bill Engvall. Country (ish), blues, comedy, and Christmas.  It seems like it might be challenging to hit the quadruple intersection of all 4 of those musical sets (region ABCD in the diagram below).

4-set Venn
            diagram. You can't do this with circles.

And yet Engvall has done it.  I'd hazard a guess that that section of the Venn diagram is not crowded, but this song shows that it's not empty, either.

10. Cathedral Bells Are Ringing, Frank Mills.  As we opened with an instrumental piece, so too do we close that way.  (This is the 8th holiday instrumental in the AVMX collection so far.)  The man behind "Music Box Dancer"** turns toward the winter holidays.  This one doesn't bury the holiday connection quite so deep as in #1.  Just in case you don't go in for thinking too much about holiday music.

For me, that ship*** sailed long ago.  And so we reach song #100.

Io Saturnalia!

M-->

*--There's a Pac-Man Christmas album,. but it's a kids' record and shows no signs of B&G's participation.
**--Fun fact: Mills' tune "Peter Piper" (the B-side of my copy of MBD) was the theme song for my comedy radio show at WJJX-AM in Ann Arbor, the Late Night Laugh Attack.  Which was renamed the Tuesday Night Laugh Attack when the semester and my air shift changed.
***--Possibly three ships, it being Christmastime.



10 December 02018 (Happy birthday yesterday!): ACME-15/AVMX-9--The Order Question, Addressed And Possibly Resolved

Figuring out the tunes for this year's collection of overlooked holiday music wasn't too tough.  (There was one incident: Over at KQNG-FM, where morning man Ron Wiley doesn't ordinarily play any Christmas music until mid-December, he made an exception and aired something that was basically a mashup of lyrics from many many tunes in kind of a clever way.  Unfortunately, I didn't hear the title or artist, and the online program guide didn't include it.  Had I been able to track that one down, it'd've been here in place of...something.  As it is, I'll be on the hunt for it for next year.)

Putting the 10 songs in a coherent or approximately coherent order was the challenge.  This matters in part because I've built a memory game around the 90 songs that have been included in this ongoing experiment.  Said game works better if I have an order to each year's playlist, and I was trying to come up with an ordered lineup for this batch that made sense.  There were a couple of blocks of songs that made sense in succession, but it wasn't easy to string all 10 together in a way that felt right.

This is the best arrangement I could come up with.

1. Yabba-Dabba Yuletide, Brian Setzer Orchestra.  We begin with a holiday song that borrows the tune of the opening theme song to The Flintstones.  That makes it appropriate as a leadoff entry for this block o' tunes.  It puts the fun into the holiday season, which is important to me.  This fills the "11 months on the waiting list" position for 02018, as I first heard it last December when driving between Albion and Findlay, after AVMX-8 went live.

We now move into a run of pieces loosely organized around the December holiday calendar.

2. Ring Out Solstice Bells, Jethro Tull.  Yep, another one aimed (by me, not by the band [I assume]) at the "war on Christmas" warriors.  Since the winter solstice predates Christmas itself by a few days, the calendar watch starts here.

3. Christmas C'mon, Lindsey Stirling feat. Becky G.  Once the solstice hits, the countdown to Christmas, already in single digits, takes on new urgency--and even, perhaps, a certain impatience.  One thing about this song: Lindsey S. is a talented violinist, which comes through in the music, but I shall ever have two thoughts about electric violins:
    a. That's just a funny-looking instrument.
    b. That's still an odd choice for the cover of a calculus book.
The joke is on me, of course, as James Stewart's Calculus: Concepts and Contexts is one among his collection of some of the best-selling calculus textbooks of all time.  A crown it deserves to wear, in my opinion.  I've taught out of that book once or twice, and it seems like a good one.

4. Christmas Eve, Blackmore's Night.  The calendar ticks forward to 24 December.

5. On This Christmas Day, Moody Blues.  And rolls forward one more day, to Xmas itself.  Combined with #2, this gives kind of a classic rock feel to the first part of this list.

On now to less temporal matters, and some holiday laughter.

6. Monster's Holiday, Bobby "Boris" Pickett.  It bugs me, as a comedy aficionado, that polls or lists of the "worst songs of all time" (Christmas or otherwise) frequently heap a disproportionate amount of scorn on novelty songs, this one included.  Not everything can be "A Day In The Life", most artists shouldn't try to write something like that, and sometimes you just want a fun tune.  (As with movies, it's not necessary that every song make a person think.)  While this is no "Monster Mash" (not much is), it qualifies on that third point.

With that comedy break taken, we move now to three artists making their second appearance on these lists.  One of the three continues the comedy; the other two are certainly fun bordering on funny.

7. Cherry Cherry Christmas, Neil Diamond.  It takes a certain level of nerve to splice "Cherry Cherry" in for "Very Merry" in a holiday greeting, and then another level to write a song name-checking a couple of other ND non-Christmas songs among the lyrics.  Such nerve is exhibited very nicely here.

8. Ho Ho Ho And A Bottle of Rhum, Jimmy Buffett.  The idea of combining the traditional pirate chant with Santa's laugh is a good one, and Jimmy Buffett is the ideal singer to pull it off.  As I said on 20 November 02010 when introducing JB's "Christmas In The Caribbean" as the first song on the first one of these lists, Björk could not carry this out with anywhere near this level of authenticity.

9. Good King Kong Looked Out, P.D.Q. Bach.  P.D.Q. didn't do a lot of direct parodies, although he wrote many of what Weird Al Yankovic would later come to call "style parodies".  This one kind of straddles the line between the two.

Now, as we began with some opening credits music, we close out this set with an instrumental work that could easily be the bed over which closing credits might run.  Additionally, this song debuted in 01964, making it a worthy choice for the "overlooked by time" category that I like to include once per set.

10. Jingo Jango, Bert Kaempfert.  One of the notable things about this song is that it illustrates the minimum amount of content necessary to get a song tagged as a Christmas song.  In this case, that would be an occasional track of sleigh bells in and among the other instruments.  Other than that, this could set toes to a-tapping even in April or August.  Between JJ and the theme to the original Match Game, Bert surely cashed a lot of nice royalty checks.

Io Saturnalia!

M-->



8 December 02017*: ACME-14/AVMX-8: An Exercise In Box-Checking

In compiling this year’s collection of underappreciated holiday tunes, I found myself thinking about all of the criteria and subcategories of music that I've established, formally or informally, over the years to build each set.  So much so, in fact, that I made it the organizing principle for 02017.

Here we go.  (The entire collection, 80 tunes now including this list, may be found here.)

1. Sock It To Me Santa, Bob Seger & the Last Herd.
Criterion: Something strong or memorable to kick off the list.

One of my personal memory games is to try to list all of the songs I've highlighted over the years when I’m far from the I’net.  It helps to be able to get the first song in any given list, as a trigger to memory, so I try to start each year with something fairly distinctive.  This qualifies.

2. Michigan Christmas, Brian D’Arcy James.
Criterion: Holiday tunes with a geographical reference.

I've done several other states (California twice, Hawaii, Nebraska, Nevada); it’s time for a local shoutout of sorts (Of course, #1 this year is very much a local shoutout.).  It helps that this is a good song.

3. Happy Whatever You’re Having, Therapy Sisters.
Criterion: Christmas comedy, which is not optional.

This title actually sounds like it could check the “recognize other winter holidays” box–except that that’s really not what it’s about, despite the title.  This paean to political correctness makes an appropriate mockery of that whole mindset.  It's from the album Codependent Christmas, which seems to have the potential for all kinds of mischief.

4. New Year’s Eve, Brian Cullman.
Criterion: Songs of other winter holidays.

A look at the full title of this one gives a second category, the already-checked holiday comedy requirement: “(I’m Just A New Year’s Adam Looking For A) New Year’s Eve”.

As someone born on New Year’s Adam, I’m forever in favor of highlighting that phrase.

5. Born On Christmas Day, Anna Marquardt.
Criterion; A tip of the visor to winter more generally, as well as another check of the "other winter holidays" box.

Speaking of birthdays...I like the line in here where Ms. M. notes that on her upcoming 25 December birthday, she will "beat Jesus".

6. The Twelve Days After Christmas, Teresa Maria Gomez.
Criterion: No parodies of “The 12 Days of Christmas” unless they clear a very high bar.

Consider that bar cleared.  Dark comedy will always have a place among the tunes of AVMX.  Truth be told, of course, there’s no need for this–the 12 days of Christmas fabled in song (and possibly also story) are indeed the 12 days after Christmas.  But it’s different, funny, and underplayed–good enough for me.

7. I’m Walking Backwards for Christmas, The Goons.
Criterion: More comedy.

None other than Tom Lehrer has referred to this song as "the height of nonsense".  That's all the endorsement I require.

8. Christmas Time All Over The World, Sammy Davis, Jr.
Criterion: Something older that’s worthy of discovery or rediscovery.

We hit this criterion in #7, but it's worth a second look.  It's hard to go wrong with the Rat Pack, provided they can meet the other standards around here.

9. Send Me Some Snow, Chris Standring & Kathrin Shorr.
Criterion: Songs discovered in December only after the list goes live, thus forced to sit in limbo on my desk for 11.5 months or so.

Thanks to Pandora and Sirius/XM, this is an easy box to check off.  #4 also falls under this umbrella, as does #5.

10. Sleigh Ride, Blenders.
Criterion: Holiday tunes from unexpected places.

No, not that.

Not that, either.

This is a different tune entirely, remaking the title of a song that’s usually excellent without words and borderline-appalling with them.  If you've ever thought that "Walk on the Wild Side" would work better re-arranged for the holidays, you were right.  If it'd been called "Santa's Off On A Sleigh Ride", this tune would've qualified for AVMX membership; the title conflict just adds to the pleasure of logging it in.  The Blenders have also committed the Xmas crime of recording "Sleigh Ride" with the lyrics, making a YouTube search for this song an exercise in dodging metaphorical land mines.  Worth the trouble, in my opinion.
 
Io Saturnalia!

M–>

*–Two days early, due to travel complications.  Purists may wish to wait until Sunday before listening in.



9 December 02016* (Happy birthday!): ACME-13/AVMX 7--Ten More For The World

As the flow of bad Christmas music escalates, the quest for some hidden gems continues (okay, it's not like it ever really stopped).  For convenience (largely mine), these annual playlists have been compiled and posted as a single Web page here.

1. Gridlock Christmas, The Hollytones.  In pretty much every alternate universe where Christmas is a thing, the “Hollytones” are a singing group in the style of our 01950s or 01960s, probably called a “chorale”.  Surely they appear on television variety shows wearing matching crew-neck sweaters, and they certainly sing “Sleigh Ride” (ick**).

And yet in this universe, we have instead a stirring tribute to the idea, given us by countless Hallmark Christmas specials, that Christmas is wherever you find it.  Even if that’s in a traffic jam on I-5 in Los Angeles.

2. California Christmastime, Crazy Ex-Girlfriend cast.  Line 1 sets the stage for this should-be classic:

You can take your snow and shove it.

In Michigan, that sentiment would need only an extra “L”, but one letter makes all the difference.  In this case, it’s a very funny difference.  While the tune does stand up on its own, this one is nearly inseparable from its video.

3. Silver Nights, Sabrina Carpenter.  Eleven months after being scribbled on the obligatory desktop Post-It, this one makes it to the official AVMX roster.  I've already got a few songs under consideration for 02017's list.  (Time on list counts for something when moving songs off the waiting list, plus I heard one of them for the first time today after this year's decet had been set.)

4. Christmas Tonight, Dave Barnes featuring Hillary Smith. Given the recent weather out this way, there's a powerful case to be made for the message of this tune.

5. Christmas Is Waiting, Betty BuckleyRemember WENN, with its curious blend of the 01930s and 01990s, strikes again, this time with a variation on my notion that “There’s room enough in Christmas for everyone”.

6. I Want An Alien For Christmas, Fountains of Wayne. A mathematical model:

Definition: A conventional musician is a musical act primarily known for works that are considered mainstream by reasonable non-expert human observers.

Axiom 1: Occasionally, conventional musicians will dabble in comedy.
Axiom 2: Many (too many) conventional musicians record the occasional Christmas song or album.  (Around The Markives, we prefer the folks who record one or two original songs without filling out an album with pointless remakes, of course.)
Common Notion 1: Given enough time and circumstances, anything that isn’t forbidden will happen somewhere.

Theorem 1: Every once in a great while, a conventional musician will record a funny Christmas song.

As proof of Theorem 1, we have this number.  QED.

7. Be The Present, Imua.  A holiday tune from Hawaii, proving that Xmas tunes in the islands extend beyond Mele Kalikimaka.  For which we should all be grateful.  Not that MK is all that awful, but it's been done to death and beyond.

8. It Snowed, Meaghan Smith.  More of a winter song than a Christmas tune, of course, but “expansive view of the winter holidays” is a rule around here.

With this tune. Meaghan S. becomes only the sixth artist, and easily the most obscure performer, to appear more than once in this now-70-song set***.  (She’d’ve been #5, but Betty Buckley leapt in three slots ahead of her this year.)

9. Here’s Your Sign Christmas, Bill Engvall. This is a cut above Jeff Foxworthy's "Redneck 12 Days of Christmas", which is ineligible for consideration here because I don't generally list parodies of "12 Days".

If there's a "Git-R-Done Christmas", I don't really need to know about it.  Let this stand as the best holiday offering from the Blue Collar Comedy crowd.

10. Zat You, Santa Claus?, Louis Armstrong.  This year’s flashback tune. It also seemed very appropriate to end this year's list with a song starting with Z.

Io Saturnalia!

M–>

*–This goes up one day early, because I won’t be near my office tomorrow and so won’t be able to post this.  Click through before December 10 or not, as may be your wish.
**–I recently found such a version of that song that isn’t awful.  Since it was on a radio aircheck, I have no idea who was singing, though.
***–In order: Trans-Siberian Orchestra (the only folks with 4 among the 70), Dan Fogelberg, George Winston, Straight No Chaser (the only folks with 3), and the aforementioned Ms. Buckley.




10 December 02015: ACME-12--A Very Markives Christmas, Volume 6

It’s that time again.  Here are ten more songs that would make all-Christmas all the time radio much more pleasant to listen to, if they ever got any real airplay.

1. The Atheist Christmas Carol, Vienna Teng.  Case in point.  In spades.

Not that this one stands a snowball’s chance in a forest fire of getting much radio exposure.  But consider the opening lyrics:


It's the season of grace coming out of the void
Where man is saved by a voice in the distance

There’s no mention of a supreme being or the lack thereof, and I suspect that most people, regardless of their spiritual leanings, could get behind this sentiment.  The song continues in a similar vein for its remaining 17 lines, and the message triumphs over the title, if you ask me.

Stripped of the title (rename it "Season of Grace", maybe), this could be a “new holiday classic”.  It's certainly preferable to "All I Want For Christmas Is You", which is generally acknowledged to be the most recent song to join the Christmas canon*.  With its title, forget about that.  Nonetheless, one of my most deeply-held holiday convictions is that “there’s room enough in Christmas for everyone”, and that applies here, perhaps more than anywhere else.  At a time when even Pope Francis has been caught saying some nice things about atheists, this seems an appropriate contribution to holiday tunedom.

2. 2000 Miles, The Pretenders.  This one was featured on an episode of Studio 60 On The Sunset Strip, a show to which I have an unusual attachment, as you may know.  I got to it via a back route not involving that show, which may explain why it’s taken awhile to show up on one of these lists.

This is also a case where it’s good to go back to the original artist–KT Tunstall’s version was the one that triggered my interest, last December after Volume 5 went up, but I have rather strong feelings about holiday remakes.

3. Nutcracker, Straight No Chaser.  I am not a fan of ballet in general, nor of The Nutcracker in particular.  This surprises no one.  That said, I was drawn in part to this tune by a recent Dear Prudence column involving a meddlesome grandmother whose 11-year-old granddaughter had apparently made it a mission not to see said ballet, and who wanted to know if she could force the child to submit to a performance.

In a word, no.

But kudos to that child for staking out this position and sticking to it.

And kudos also to SNC for taking down that ballet in such fine fashion.

4. Chiron Beta Prime, Jonathan Coulton.  Because if you were forcibly relocated to an alien planet by robot overlords, you would surely have cause to mention that in your holiday newsletter.

One might even argue that that’d be a pretty good reason to start such a newsletter.


5. Warm Lovin’ Christmastime, Wilson Phillips.  There’s no real reason to avoid this song, which I mentioned a few years back (The Markives, 5 December 02010) as a Mellowmas entry logged over at popdose.com.  Mellowmas is ending after this holiday season (though surely the flow of bad holiday tunes will not), so this is a chance to recognize one song they highlighted that turned out not to be awful.  And as I said in 02010, in a tribute to dexterity:

Moreover, there's something about a song being sung by three women that includes the line "We can write our names in the the fallen snow" that makes it worth recognizing.

That still holds, five years later.

6. Rootin’ Tootin’ Santa Claus, Tex Beneke & His Orchestra. This year's flashback entry, it comes with an instrumental opening that's over a minute long.  Music doesn't get more radio-friendly than that.

7. Christmas Is My Favorite Time Of Year, Lizzie & John Brenkus.  On the face of it, there’s a lot about this song that’s awful: And yet...the tune is just so unabashedly catchy and–dare I say it?–fun that I can’t resist it.

8. Naughty List, Forever In Your Mind.  Because someone needs to stick up for the kids getting coal in their stockings.  And because this is kind of amusing, and different from the typical tone of Christmas songs--which is something I like to recognize.

9. Nicki And The Crew, Treetop Sisters.  I stand against the introduction of children's choirs into holiday music with as much commitment as anyone.  The fact that these children are not a choir is enough to get this otherwise-worthy song onto this year's list.  In additional, this song also ticks the "other late December holidays" box by mentioning Christmas Adam.

In the world of overfamiliarity that I was touching on last entry, I'm willing to carve out an exception for calling Santa Claus "Nicki", in no small part because of its sheer brazenness.  "St. Nick"--common.  "Nicki"--not so much.  Well-played.

(This song does refer to Rudolph as "Rudy", though, so maybe it should be included with an asterisk.)

10. Save Some Snow, After Romeo. Once again, the list features a song that's been sitting in limbo since I first found it last December.  Off now to monitor the radio in search of the song to fill this slot for 02016.

Io Saturnalia!

M-->

*--Christmas Canon, by the Trans-Siberian Orchestra, hasn't even cracked that list.  Seems like it'd be an obvious choice.



10 December 02014: ACME-11--Or, A Very Markives Christmas, Volume 5

One thing that hits me each year as I start assembling this alternate playlist is "Where am I going to find 10 (ish) more overlooked holiday tunes that are actually good as I define the term?".  It turns out that it's not much of a chore, just a matter of paying attention and looking under a metaphorical rock or two.  There's a lot of good holiday music away from what lands on ACATT radio, and it's a very minor tragedy that the programmers at those stations don't expend the effort to find it.

I do what I can.  Enjoy this year's tunes.

1. Hanukkah In Santa Monica, Tom Lehrer.  We start off the 02014 alternate holiday soundtrack with a more-obscure-that-it-deserves-to-be tune from what might, in mainstream America, be called an alternative holiday.  The committed wordplay that rhymes "Shavuos" with "East St. Louis" here is criminally unrecognized.

2. Fa La La, Elizabeth Chan. Ms. Chan has taken on writing Christmas songs as a full-time obsession, and claims to have written over 300 original holiday tunes.  It's nearly axiomatic that at least one of those would be good, and so we have here "Fa La La".  There's an extended Hanukkah reference in here as well, which provides a nice connection to #1 and the rest of the late December holidays.

It's also nearly axiomatic that at least one of those songs would be awful.  "Vixen" fits that bill, perhaps in the "so bad, it's almost good" department.  While clearly not safe for work or for small children*, the sheer audacity of lines like "I want a map to Santa's lap" is close to amusing.

3.
Text Me Merry Christmas, Straight No Chaser featuring Kristen Bell. Here's what I said about this tune when I first discovered it via a Beth Cochran Facebook post last month:

Excellent! This is far far better than the Nth remake of "The Little Drummer Boy" or other Xmas catastrophes of earlier generations.

I stand by every word of that comment.

Every.

Word.

4. Christmas In Nebraska, Mulberry Lane. Continuing the holiday travelogue subseries (Caribbean, California, Las Vegas, Heaven, Ground Zero[?]) here.  I've never been to Nebraska, but I respect home-state loyalty as much as most, and this sisters' group named after the street where they grew up has recorded a decent-enough argument for the Cornhusker State.  There's not a lot that's been written about Nebraska, so this should make most short lists of the finest tunes referencing that chunk of the Midwest.

Right behind "I Look In Your Face...And I See Omaha", of course.

5. Alan Parsons In A Winter Wonderland, Grandaddy.  I am a big fan of Alan Parsons' work, both as a producer and engineer and as a performer with and without the Project.  Even without that predilection to enjoy something like this, I think I'd've found this another Christmas comedy classic.  Why Parsons?  It's not immediately clear from the lyrics--but when the song doubles down on the title character with the lines "In the meadow we can build a snowman/And pretend that he is Alan Parsons", the song's true comedic genius is revealed much more clearly.  This could, of course, also work with other semi-celebrities with four-syllable names--Robert Mitchum, say, or perhaps Kathy Griffin.

The original "WW" (like "Jingle Bells", "It's A Marshmallow World", and "Let It Snow", among others) isn't a Christmas tune, nor does this parody mention 12/25 explicitly.  However, since I take an expansive view of December music, this works for me.  Well done, Grandaddy.

6. I Found The Brains Of Santa Claus, Jason and the Strap-Tones. This one is finally appearing on one of these lists after being the last song cut in 02012 (a little too comedy-heavy that year, I thought) and 02013 (13 songs was enough).  Silly in a good way.

Now...The juxtaposition between #6 and #7 constitutes approximately a 100% change in tone, but jarring transitions are an essentially unavoidable component of holiday radio as it's practiced in America these days.

7. You Make It Christmas, Betty Buckley.  Here's a holiday song, 01930's in tone, 01990's in pedigree, from Remember WENN, the TV show that I would argue started AMC's transition away from its declared classic film niche. The channel was eventually targeted by a lawsuit in New York (The Markives, 9-10 August 02005) challenging their commitment to truth in advertising, although it was less WENN and more the Three Stooges that prompted that action.  In addition, there are the tips o' hats to other holidays that I so respect when picking tunes for this series.

8. Jingle My Bells, The Boy Least Likely To.  Each December since I've started this thing of alternate holiday playlists, it seems as though I find at least one new-to-me holiday tune right after I post the year's list, and so it was in 02013 with this one.  The artist and title leave one suspecting that this should be a novelty song, but that's not really the case.

9. Merry Christmas You Suckers, Paddy Roberts.  This one, on the other hand, is pure comedy.  Props, too, for rhyming "splendid" with "distended".  In a very real sense, this strikes me as a somewhat more accurate version of the Markives-derided "Have Yourself A Merry Little Christmas", right down to the line "It may be your last", which was originally part of "Merry Little" and is cut from most recorded versions.

10. Forever Christmas, Afterglow.  Afterglow is a Utah-based band, and I first heard this song while driving between Las Vegas and Zion National Park last December--again, not too long after ACME-10 went live.  I haven't heard it since (okay, I haven't tried too hard), but it stuck with me as another worthy entry here.

Io Saturnalia!

M-->

*--Seriously.  Use considerable caution if clicking through.



12 December 02013: ACME-10: Songs For All Seasons

This year's Christmas music entry takes a slightly wider--in several senses of the word--view of the winter holidays.

1. At Christmas Time, Dan Fogelberg.  In a nod to the original meaning of the season, this one starts off with the line "At Christmas time we raise our hearts* and celebrate the solstice."  Hear that, "War On Christmas" warriors?  Solstice.  This also works in the "Lighten Up, America!" subgenre around here.  No further commentary required.  (Dan F., by the way, got a mention on last night's Late Night With David Letterman in the show's annual holiday music Top Ten list.)

2. Christmas In California, America. I like a bit of geographical diversity in my holiday tunes.   Hence "Christmas In The Caribbean" on the first holiday mix (02010) and #2 and 3 this year.

3. Christmas In Las Vegas, Richard Cheese.  Speaking of geography, this also fulfills my commitment to include comedy in these annual lists.  There's no mention of Christmas lights on cactus, but that's about all that's missing.

4. Christmas Lights, Blush. I've been sitting on this one since I heard it on the radio last year after ACME-9 went up.  Another Sirius find, at least originally for me--which means that it's been scribbled on a  scrap of paper on my desk for months now, as is my nature with ACME's.

5. Whistle 'Neath The Mistletoe, Briana Winter. A second Sirius find, this one was released last year on an "indie" album.  I've been listening, very occasionally, to Pandora's Indie Holiday Music channel, and I find most of it way too dull for my tastes--many artists in that genre seem to have forgotten the notion that Christmas should be, at some level, enjoyable..  This one manages to avoid the worst of the darkness of indie music.

Time to shift gears a bit.  I have decided that, to my ears, the folks who damage most traditional holiday hymns for radio airplay are the singers, and that some hymns which don't work because of the pseudo-operatic bellowing that many folks bring to the table are perfectly fine tunes when performed without vocals.  The challenge there is finding the songs for which the lyrics aren't so well-known (and overblown, in many cases) that they earworm their way into your brain.  "O Holy Night", for example, can't be saved by giving the singers the day off--it's hard to hear the tune without thinking of the lyrics, often being sung badly.  You need the vocals to exist--it's hard to tag a song as a Christmas tune without them**--but if they can be fully and completely jettisoned from the performance and from your mind, what's left is sometimes worthwhile listening.

The cutoff, I have determined, is "Carol of the Bells".  Yes, it's got lyrics, but they're somewhat obscure, often confusing***, and probably not, in the large, familiar enough to be an earworm.  So here's a shift to lesser carols that work better instrumentally.

6. Jesu, Joy Of Man's Desiring, Alon Goldstein.  The link here is to an organ version, but there are certainly other instrumental arrangements that work.  So long as the choir has the night off.

7. The Holly and the Ivy, George Winston.  There's no reason to prefer one piano arrangement over any other, but I kind of like this one anyway.  George W.'s December album does a good job with the holiday tunes.

8. Some Children See Him, George Winston.  See note on #7.

Back to songs with words now.

9. Jingle Jingle Jingle, Stan Francis (from the Rudolph, The Red-Nosed Reindeer soundtrack).  Back to the fun stuff.  This one deserves a higher profile than it has.  Not that this listing will help.

10. Nutrocker, Trans-Siberian Orchestra.  What I find interesting about this piece is that it was first released on a non-holiday album (Night Castle).  For a band that's primarily known for their takes on holiday tunes, this is an impressive stretch.  (The title of TSO's recent EP, Dreams of Fireflies on a Christmas Night, makes one wonder a bit about the geographical authenticity of their name.  I doubt that there are many fireflies traversing Tunguska in late December.  It's geographical diversity in a good sense, I suppose.)

11. You Make It Feel Like Christmas, Neil Diamond.  Also originally released on a non-holiday album (Primitive).  This is a trend that I enjoy for some reason.

We time-travel backwards for the music and forward on the calendar for the last two songs on this year's holiday mix.

12. The Man With The Bag, Kay Starr.  This version is pretty definitive, even if it may not be the original.  Remakers should leave it alone.

13. What Are You Doing New Year's Eve?, Ella Fitzgerald.  Ditto.  There is, I am convinced, a place for more NYE music than currently exists.

Io Saturnalia!

M-->

*--I'm not sure how that works either.
**--Exception: Linus and Lucy, although if someone later went all Mitchell Parish and retconned lyrics to that tune, I don't need to hear them.
***--See A South Park Christmas, where "Ding dong m'kay" makes perfect sense.



10 December 02012: ACME-9--Something Old and Something New

In writing the 2012 annual Christmas music entry, I find myself reconsidering my stance against "The Twelve Days of Christmas" in these yearly missives.  Norm MacDonald's take on the song is one thing that's turned me --well, maybe not around, but certainly aside:




Also contributing to this reassessment is the Allan Sherman collection My Son, The Box*, in which we find that his version, "The Twelve Gifts of Christmas", was censored at original release.  Here's a 21st-century take on the original:





With that song--in its original form--kicking off this year's holiday lineup, here's the rest of the best for 02012:

2. Christmas Can-Can, Straight No Chaser.  SNC also has an interesting take on "12 Days".  This song title and artist have been scrawled on a Post-It on my desk for about 12 months now--just after ACME-8 went up last year.  It could have made for an interesting puzzle if someone, in the event of my untimely demise, had been cleaning out my office and found it.

3. Christmas In The Sand, Colbie Caillat.  New for 02012 is this reminder that a white Christmas might very well refer to sand and not to snow.  It's got an entertaining video as well.

4. Christmas Kiss, Meaghan Smith.  This showed up, rather unexpectedly, in my Pandora feed about 6 weeks ago.  Properly promoted, I submit that this could be a "Call Me Maybe" for the holidays.  It's got the right level of flirtatiousness without descending to Maudlin Town.  Ms. Smith also does a rendition of "The Little Drummer Boy" without all the "pa-rum-pum-pum-pum"s.  It doesn't make the song better except in that it makes it shorter, but it's an interesting idea.  Once.

5. Do You Know How Christmas Trees Are Grown?, Nina Van Pallandt.  Yes, it's a holiday tune from a James Bond movie (On Her Majesty's Secret Service).  The universe can still amaze me sometimes.  This turns out to be a fairly complicated little number, in a good way and a way that a lot of more well-known holiday tunes are not.

6. Let's Have A Drug-Free Christmas, Tim Cavanagh.  Nice sentiment in the title, plus one must admire the wordplay in the lyric "Spend the day on Grandma's farm/Not on pharmaceuticals".

7. Happy New Year, Spike Jones & The City Slickers.  Fulfilling the "old" in the title, this one has an odd personal connection for me.  The song is a recitation of various Slickers' New Year's resolutions, and one near the end is a commitment to better comedy leading up to the line: "I resolve not to tell a corny joke."  A telephone then rings, and Doodles Weaver's side of the conversation goes "Hello.  What's that?  The church burned down?  Holy smoke!".

An epic fail for the resolution, of course, but...I actually got to use that last line, completely in context, once, upon hearing of a church fire here in the current hometown of The Markives.  Definitely a moment to be remembered.

And now for something in a more classical vein:

8.  Throw The Yule Log On Uncle John, PDQ Bach.  I am not for a minute advocating this course of action, but just in case, it might be best if Haley, Sarah, Megan, and Natalie didn't click through on this one.

Io Saturnalia!

M-->

*--MS,TB was released in 02004.  Though I bought it right away, I'm a bit slow in talking about it here.



9 December 02011 (Happy birthday!): ACME-8--Another Round Of Worthy Holiday Music

It had been my plan since about last February for the next annual Christmas music entry to be "Remakes That Don't Suck".  However, after spending way too much time in 02011 considering some of the most ill-conceived ideas ever re-recorded, I have dropped that plan.  I only found three, one of which is kind of questionable.  While they're included below, here's my 2K11 holiday mix:

1. "Santa Baby", Madonna.  Eartha Kitt did a fine job with the original, and the mid-01980's version of Madonna was a dead-on accurate choice for this version.  Laurie happens to like this tune, which is not an insignificant consideration.

2. "Deck Us All With Boston Charlie", from Pogo.  Last year's list included a "Deck the Halls" parody as the #2 track, and this one seems to be an appropriate followup--and possibly the start of a tradition around here.  The linked version here only includes the first verse--there may be five more in the canonical list, but the first is the best by a wide margin, from both musical and technical perspectives.

3. "Snoopy's Christmas", Royal Guardsmen.  As long as we've got one comic strip tune here, let's keep the theme going.

4. "Christmastime Is Here", Vince Guaraldi and Orchestra.  Three in a row from the comics.  (I'll stop now.)  Here's a holiday tune that should just not ever be remade.  What Toni Braxton did to this song is criminal, in my opinion.

5. "It's A Marshmallow World", Dean Martin.  "MW" has a curiously cloudy history, so much so that it was difficult to pin down who recorded this first.  That having been said, whether or not it was Frank Sinatra, it was not Dean Martin.  That having been said, and I cannot stress this enough, this is not a Christmas song.  There's no real mention of any winter holiday, and so much like "Jingle Bells", "Frosty the Snowman", and "Winter Wonderland", to name a few, radio stations could continue playing this into February--yet they don't.  Tragic.

6. "What Is Christmas?", Trans-Siberian Orchestra.  I have to tip the ol' visor to a holiday tune with a stanza like "What is Christmas?/Candles everywhere/A fire hazard/Any other day".  The point made slightly earlier on, that Christmas may just be "an ex-cuse to tolerate snow", is also worthy.

7. "Christmas Dragnet", Stan Freberg.  This one is a particularly timely and poignant entry, coming as it done on the heels of Harry Morgan's death Wednesday.  As a Freberg tune/sketch, it falls somewhat uncomfortably in between "St. George and the Dragonet" and "Green Chri$tma$", combining the features of each without quite rising to the level of either.  But since Joe Friday is more on our minds this week than usual, and since the piece is not by any stretch awful, here it is.

8. "7:00 News/Silent Night", Simon & Garfunkel.  Third (and final) on the list of worthy remakes, this is one that could easily be remade again--all you'd need to do is record a new news track to be read over the tune.  This could be a (depressing) annual tradition.  That of course, is only sort of a good thing.

I am reminded, in considering this track, of WLS-Chicago's Holiday Festival of Music, which was noted for tracking Christmas preparations and explaining holiday traditions at the top of each hour in and around holiday tunes during the countdown to midnight on 24/5 December.  In the midnight segment, there's an extended piece which includes a poll-taker asking people what their favorite Christmas song is, and "SN" heads the list--by design, of course, because the aircheck leads into a version of the song.  Nonetheless, I'm not sure that that would really win an open poll.  I suspect its popularity on that piece is more a matter of "I must think of some Christmas song quickly...um...Silent Night!" than any real preference for the tune.

And while it would be nice to have this one end the collection, you can't go out on a track that closes by talking about 5 more years of war in Vietnam, so...

9. "Christmas In Heaven", Monty Python.  This one makes the cut in part because it provides a tenuous connection between another very non-Christmas song and Christmas.  One of the very non-Christmas songs that still manage to slip in to "all-Christmas, all-the-time" radio playlists is "My Favorite Things", from The Sound of Music.  I can't explain it, and certainly won't try.  The closest connection between that tune and any winter holiday is found in a passage from this song: "It's Christmas is heaven/There's great films on TV/The Sound of Music twice an hour/And Jaws 1, 2, and 3".

I doubt that that's the reason why we hear this song in December (and in no other months of the year), but I suspect it's the best explanation we're going to get.  And it's still not a holiday tune.

Over at xkcd, there's a slightly different take on holiday music today which makes some of the same points I've been hinting at for the past 7+ years:

 

 Io Saturnalia!


M-->



28 November 02010 (Happy 22nd!): ACME-7--An Attempt To Be Part Of The Solution

Usually, I'm part of the problem.  For no apparent reason, it's gotten into me to try being constructive with the annual Christmas music entry.

My railings against abuses of the musical scale at this time of year have been an annual tradition here at The Markives.  For a change, I have compiled a track list of holiday songs worthy of more attention than they typically get in the clutter of pointless remakes that typifies Christmas music.  A couple of ground rules:

1. No remakes.  Obviously.  Sampling, as is sort of done in track 9, gets in just under the cut line.
2. Along the same line: No pseudo-operatic bellowing.  This probably doesn't cut out anything that rule 1 lets through, but better safe than sorry.
3. It's me, so there's going to be comedy on this list.  While parodies are eligible for consideration, there will be no parodies of "The 12 Days of Christmas" here.  Not that they're all bad, but too many of them run out of good ideas around Day 8.  Examples inlcude Frank Welker and the Bob Rivers Comedy Corp.  Exceptions include Allan Sherman and Jeff Foxworthy--neither of whom feel compelled to repeat the entire list all that often.  This matters.  For an example of a non-comedy parody that does it right, check out the version by the Canadian Brass.

On to the music!

1. "Christmas In The Caribbean", Jimmy Buffett.  This one came up recently on Sirius/XM's "Holly" channel--I found it while channel-surfing--and got me started thinking about compiling this set of tunes.  Pretty much remake-proof, as it's hard to imagine this song sounding anywhere near as authentic in anyone else's hands.  Not that lack of authenticity stops some remakers, of course--but I can't see this one ever appearing on, say, a Björk Christmas album.

2. "Deck The Stills", Barenaked Ladies.  Since we're already having fun with the first track, this is a good place to ramp up the levity.  DTS is simply a repeated recitation of the name of the band Crosby, Stills, Nash, and Young to the tune of "Deck the Halls", and just silly enough to dodge the "remake" bullet.  For those of you inspired to try this at home, it runs one verse, and you close out on "Crosby" if you've done it correctly.

3. "Must Have Been Old Santa Claus", Harry Connick, Jr.  The humor level drops off, but the fun continues.  Harry C., of course, remains free to remake "Mistletoe and Holly" as he may wish with my preapproval (The Markives, 4 December 02005), which should mean exactly nothing to him.

4. "Kill A Tree For Christ", Celtic Elvis.  Nowhere is the tension inherent in the secular/religious duality of the holiday explored so well as in this number.  In light of her frequent annual declaration that she wasn't sure what possessed people to cut down a tree and bring it into the house in mid-December, I think even Mom might appreciate this one.

5. "Old City Bar", Trans-Siberian Orchestra.  Dipping into TSO's work for the first of two* selections, we have this overlooked gem.  One of the more annoying subgenres of bad Christmas television is  "curmudgeon (of any age, from 6 to 600) discovers the 'true meaning' of Christmas, and maudlin-ness ensues".  Frequently this programming includes bad remakes of holiday tunes.  Leaving out the fact that the "true meaning" of Christmas is a pagan ritual celebrating the winter solstice, thus calling the legitimacy of that whole enterprise into question, OCB does neither.  There may be some discovery--the lyric "For the rest of the night/No one paid for a drink." suggests that--but it is far from maudlin.  It's enough to forgive the songwriter for setting this piece in New York City for no apparent reason.  Even in live performance, the presentation focuses--astonishingly--on the music, not the drama.

6. "Same Old Lang Syne", Dan Fogelberg.  Track 5 takes place on Christmas Eve, and Track 7 will reference New Year's Day briefly, so let's venture up the calendar a little for this one, which facilitates the transition by doing both.  For better or worse, given his December 02007 death, this is probably the song that Dan F. will be best remembered for.  He had a fine sense of humor and loved abusing the English language, so slotting him before Weird Al seems like a good fit.  The song is set on Christmas Eve and uses a chunk of ALS in the closing, which makes it just fine for the holidays in my opinion.

7. "Christmas At Ground Zero", Weird Al Yankovic.  This song gets less attention now than the little it did before 11 September 02001, which may be the result of some folks pushing the sensitivity lever too far.  Celebrating Christmas during a nuclear attack is just the right kind of crazy for my tastes.  This record deserves better.  "The Night Santa Went Crazy" doesn't rise to the level of this one, alhtough it's been getting more attention since "Zero" has slipped in these politically senstive times.

8. "A Lonely Jew On Christmas", Kyle Broflovski.  In perusing the South Park holiday oeuvre, and in desiring to maintain a minimum standard of decency (this list does, after all, appear in close proximity to Natalie's picture), the field is rapidly narrowed to this.**  It continues the thread of recognizing other winter holidays as well.

9. "Christmas Eve/Sarajevo 12/24", Trans-Siberian Orchestra.  One more from TSO.  I'm a bigger fan of this assault on punctuation than I am of their other radio-friendly tune, "Christmas Canon", and while "Wizards In Winter" is another fine instrumental, it's not as clearly a Christmas record.  This is probably my favorite non-comedy Christmas song, in no small part because it holds up outside the context of the story running through the Christmas Eve and Other Stories album.

10. "Can't Wish You A Merry Christmas", Capitol Steps.  Most of the Steps' holiday tunes, like most political satire, have a very short shelf life--we're not going to be singing "Now CBS Has Letterman" much now that the late-night battle of 01992 is over.  (Too bad, actually--that one's kind of a fun song.)  This one is quick (less than a minute), still relevant today, and name-checks the ACLU.  A triple play, and a fine way to close this imaginary album.

Io Saturnalia!

M-->

*--I might also have picked "Ornament" by TSO (I find it interesting that there aren't more Xmas songs with "ornament" in the title), but two out of ten from one artist already seemed to be pushing the limit.
**-- I did consider Christmas Time In Hell as well as the Santa-Claus-and-Jesus-as-lounge-singers medley, but the former loses too much without the video and the latter is all about remakesRight down to Rio.




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