10 December 02023 (Happy birthday
yesterday!): ACME-20/AVMX-14–Misspelling Megan
I’m not prepared to go to war over this, but I think that “Megan”
is the right way to spell that name, and not just because that’s
how nephice #10 spells it–after all, that wasn’t her choice.
I do take a harsher stance when confronted with “Meghanne” [which
seems like it’d invariably be accented on the second syllable] or
anything with a “Y” in it, though–there are limits, people*.
That said, I am also not prepared to discard good
off-the-beaten-path holiday music over a minor dispute of
orthography, and so we have songs 2 and 6.
1. Christmas
In The Car, Mulberry Lane. It’s the second
appearance in AVMX for this group. The song showed up in a
Pandora non-holiday stream about a month ago, for which I was less
than fully prepared.
On one hand, I like that the focus is from time to time on safety,
as the sisters from Nebraska make several references to wearing
seat belts. On another, as this song moves forward in time,
there are multiple perspectives possible. The
narrator/singer seems to be happy that she’s moved on from a
Porsche Spyder to a 4WD Chevy to a minivan with 3 kids.
I would regard that as something of a step down in the world.
The differing interpretations make this a complicated tune, which
makes it a good fit for AVMX. Possibly too much to think
about in the first song out of the chute, but I liked this one as
a memorable song to kick off the list, which is one of the things
I use as a memory aid (see AVMX-8 for the details).
2. What
Present’s This, Megon McDonough. I very much
want to perpetrate the prank at the center of this song, but it
would be extremely challenging to pull it off.
Or would it?
Only those who see me this Christmas season will know for sure.
3. This
Year's Santa Baby, Eartha Kitt. I have
previously mentioned songs that made the AVMX playlist even though
I had not heard of them before the list was ready to compile.
This one, which came out one year after the original SB in
01954, beats even that immediacy. Once I learned that this
song existed, I cleared a space on this year's list before I
even listened to it.
It is at once doubly puzzling that this hasn't gotten more airplay
over the decades and that it's not been remade frequently along
the way. Here it is for eternity, or at least that
homeopathic corner of eternity that visits this outpost of the
I'net.
4. Another
Christmas Song, Stephen Colbert. Tom
Lehrer, in his spoken introduction to the holiday standard
(by my definition) "A Christmas Carol", comments that none of the
other holiday standards attempt to capture the "true spirit of
Christmas" as it's celebrated in America.
Which is to say (and as he said), the "commercial spirit".
Stephen C. has successfully added to that roster of tunes, which
may not stand at much more than 2, with this number. Bonus
points for working in the phrase "ad infinitum".
5. It Was A
Silent Night At Least Until Jeff Lynne Arrived,
Grandaddy. Another second-time visitor to AVMX, Grandaddy
has shifted focus from the Alan Parsons Project to the Electric
Light Orchestra, for no apparent reason–yet somehow this works.
I admit also to being attracted by the notion of a “Silent Night”
parody. There aren’t enough of those out there.
6. Christmas
Coupon, Meghan Trainor. This is Meghan T.’s
third appearance on one of these lists. All 3 songs have
checked in at #6–the first two times, that was inadvertent.
Now it’s a tradition. (I do, after all, work at a place
where accidents have this annoying way of becoming precedents.)
The link up there is to the official lyric video, which MT’s
production team does very well by channeling Max Fleischer and “follow
the bouncing ball”. Except instead of a ball, it’s
Meghan’s animated head.
Nice.
7. Christmas
With The Devil, Spinal Tap. I’m not at all sure
what took me so long to highlight this one. It’s not even
been on the relatively recent “late cut” lists, nor even on the
running list that lives on my desk 24/7/365**.
Which seems like a tragedy, but one easily corrected. I kind
of think of this song as an ancestor of South Park's
"Christmas Time In Hell", dating back to an era when video wasn't
quite so essential to selling certain songs.
Enjoy.
8. Christmas
In Canada, Eric Bingham-Kumpf. Once again, we're
in "take the composer/performer's word for it" territory in
slotting this as a holiday tune. Following from my note on
#7, it's probably the video that sells this 02023 composition as a
Christmas song.
9. Christmas
In Antarctica, The Minus Five. It’s technically
summer in Antarctica on 25 December, but at least for a few more
years, it should still feel appropriately chilly down there then.
Our years-long selection of geographical holiday tunes now extends
about as remotely as is possible while remaining on
Earth--literally from one end of to the other.
10. Space
Christmas, Shonen Knife. Having reached
Antarctica, it is only right that we leave the planet for this
year’s final installment. Shonen Knife is a Japanese group
with a long history, so there might be some translation issues
with their lyrics, such as when Santa is described as arriving on
a "bison sleigh". That doesn't diminish anything.
Io Saturnalia!
M-->
*–I am a fan of Megyn Price’s
work, but her parents dropped the ball in naming her.
**–366 some years, next year included.
10
December 02022 (Happy birthday yesterday!):
ACME-19/AVMX-13–Christmas In The Intersection
A couple of years back, I included a picture of a 4-set Venn
diagram in AVMX as an illustration of the kind of Christmas
crossover that was possible. As a refresher, here 'tis
again:
How desirable that sort of thing may be is for others to decide,
probably on a case-by-case basis, but some of this season's
selections were very much in the same vein.
1. Marshmallow
March, Surfrajettes. Exhibit A: This properly falls in
a triple intersection of surf music, instrumentals, and Christmas
tunes, so you can omit oval D in the diagram.
That said, there's a lot working against this as a Christmas
song. Let's start with the title, which doesn't exactly
speak "Christmas". "Candy Cane Cha-Cha"? I could buy
that combination as a holiday tune. Similarly for something
like "Sugarplum Samba", or possibly "Gingerbread Gavotte" (which
really belongs on a hypothetical Carly Simon holiday album).
"Marshmallow March", though? The candy--while something I
enjoy--is not exactly a high-profile Christmas, or even December,
treat. Indeed, I suspect that many of us associate
marshmallow much more strongly with the holiday at the other end
of Christ's life.
It could make a little more sense for Christmas as "Marzipan
March", I suppose, but we play the hand we're dealt around
here. However, I have come rather to like this song over the
course of several listenings trying to tease out the holiday
connection. I'm content to take the artists'
declaration at face value.
2. The
Fruitcake That Ate New Jersey, Lauren Mayer.
Exhibit B: Lauren Mayer is a musical theater enthusiast who
dabbles also in comedy and, clearly enough, Jewish culture, which
gives us another 3-way intersection. Fruitcake sat
in obscurity for decades before surfacing
in 02010. The song is taken from the album Latkes,
Schmatkes!, a collection of Hanukkah-friendly tunes.
This may not be the sort of thing that the ecumenical movement is
trying to encourage.
3. I Got A
Cheese Log, Trout Fishing In America. Despite
the fact that this is turning into a comedy block*, putting
together a run of songs mentioning, though not always about, food
was irresistible. In the future when I'm trying to remember
all of these songs in order when far from the I'net, that will be
useful to me.
When you try to set up a comedy channel on Pandora, you wind up
hearing a lot of automatically generated suggestions that are only
comedy-adjacent:
Musical theater pieces, only some of which qualify as
comedy. This connects up to #2.
Folk music, to which the same description applies.
Children's songs, from which this one is drawn. Again,
while there may be funny songs included in this subgenre, not
every one fits that description. Much of Schoolhouse
Rock's various programming is available, but I wouldn't
call every one of those pieces comedy. (For example, Figure
Eight, which was inexplicably [to me] described once in
a book as the "most popular" of the Multiplication Rock
series, is not all that funny, even with the video.)
Some judicious use of the editing functions makes it possible
to curate something that rises to reasonable standards of humor,
and includes tunes like this one. See also the Caroleers
from AVMX-11.
4. The
Happiest Time Of The Year, Candypants. And the
food theme continues in the name of the artist. Speaking of
ecumenism, this may well be the finest Christmas song ever that
mentions Iran--an ardently non-Christian country--in the lyrics.
Admittedly, that's a small universe, but one looks for good where
one can. (The Capitol Steps probably recorded such a song at
one point; I've not looked back fully.)
This is almost certainly the darkest song I've ever included in AVMX. While
this was unintentional, since I just like the song, it is another
piece of data in support of my thesis that there's room enough in
Christmas for everybody.
5. White
Christmas (3:00 Weather Report), Bobby The Poet.
Once again, we have a mutil-level parody. This tune takes
the idea expressed oh-so-seriously (reasonably so, and very well)
in Simon & Garfunkel's 7:00 News/Silent Night (AVMX-2)
and treats it somewhat more whimsically. The artist's name
and performing voice add up to a two-way parody on both Robert F.
Kennedy and Nobel laureate Bob Dylan. This is certainly one
of the most obscure songs I've ever highlighted in AVMX. I'm
not fully convinced that this is a good thing, but the idea is
kind of fun, the tune is pleasant enough, and the coincidences are
too amusing to pass by, so it's worth a few listens every year
going forward.
6. Naughty
List, Meghan Trainor. Back toward the mainstream
here, even as we duplicate a title from AVMX-5.
Let's be honest here: "Naughty list" is a richer source of good
popular culture than "Nice list". The sinners, it is said,
are much more fun**.
7. Shake
Hands With Santa Claus, Louis Prima. The link
here is to a 01951 recording of this song, which makes it one of
the most seasoned recordings ever to be a part of AVMX and
certainly worthy of this year's throwback tune title.
Fun fact: The first 7 songs this year each have a run time under 3
minutes. It helps, I suppose, if your holiday song doesn't
have 5 verses.
8. Sugar And
Booze, Ana Gasteyer. We return to the food theme
as we finally bust through the 3-minute barrier, with the title
track to an album I tapped a couple of years back. One of
the reasons for slotting this song here is that it's musically not
unlike #7, just coming along decades later.
Another reason for including it at all is that it's been cleared
as "safe" for Little Drummer
Boy Challenge players, even though it mentions The Boy and
throws in a "pa-rum-pum-pum-pum". Since the reference is
both brief and less than fully musical (Ana doesn't really sing
the risky drumbeat), which renders this safe. In the words
of LDBC master Michael Alan Peck, "it's not the tune, so it
doesn't count." I got taken out by a Capitol Steps parody
one year, so this kind of edge case matters to me.
A third, and really the only necessary, reason is that this is an
entertaining tune that's also funny. The link up there is to
a live performance on Late Night With Seth Meyers, in
which the xylophone part is played on a toy instrument. Kind
of a neat effect.
9. Santa
Claus Is Watching You, Ray Stevens. This one was
one of the last-second cuts last year, as more notable songs
showed up on my radar. It deserves to be here.
There are times when a backlog needs clearing, and this is one of
those.
10. Melt! Goes
The Snowman, Nooshi. This comes from an album
that promises Christmas songs with familiar melodies. I
stumbled across it while indiscriminately looking for unheralded
Christmas music, and just reading the title made me laugh.
Out loud. At that point, the bar that needed clearing was
suddenly a lot less high.
I appreciate the word choice that went into the lyrics.
"Plop Goes The Snowman" was right there, but the writer went
another, better, way.
It's a nice wrapup to another decet of alternate (not
"alternative") holiday tunes.
Io Saturnalia!
M-->
*--Not that I find anything wrong with
that, but I try occasionally to break up the funny stuff with
other songs.
**--Apologies to Billy J.
10 December 02021 (Happy birthday yesterday!): ACME-18/AVMX-12–Another Year, 10
More Songs
On 19 November, Ken Levine (whose weekly podcast dedicates one
episode annually to obscure holiday tunes. Here's
this year's version.) posted the following on his excellent blog:
I see that Sirius/XM has 19 channels
dedicated to playing Christmas music. There aren't 19 Christmas songs!
Certainly it seems like that sometimes.
It is in part for that reason that I continue this dodecade-long
quest of spotlighting underplayed songs o’ the season.
Seasons, actually.
1. It’s (Already)
Beginning to Look a Lot Like Christmas, Capitol Steps.
Though the Steps are no more (The
Markives, 2 March 02021), their legacy lives on.
This one shares my sentiment about the expansion of the winter
holidays well beyond their right and proper starting date.
However one might define “right and proper”, of course, which in
any event shouldn’t be before Thanksgiving.
2. Traditions
of Christmas, Mannheim Steamroller. I’ve not
included any MS tunes on these lists until this year, largely
because of the remake factor. After digging a bit, I turned
up this original from their second album, so we have the sounds of
the Steamroller with the added advantage of new holiday music.
That’s a win/win, from where I type.
That said, this song also exists with lyrics. While ditching
the words may make this a little more difficult to tag as a
holiday tune (we kind of need to fall back on “Mannheim
Steamroller, despite its range of works, is largely and
perhaps unfairly known for Christmas music”, which is less than
fully satisfying), I prefer the instrumental version, and so
that’s what’s linked up there.
3. Star
of Wonder, Roches. A study in contrasts presents
itself here. Right after an instrumental holiday tune, we
have...an a cappella number.
Put it all together (though you shouldn't) and you have two
complete songs with both music and lyrics. But they're
really better off appreciated separately.
Owing to the nature of the calendar and the radio stations I
listen to, a lot of the research for each year's AVMX list happens
11+ months beforehand, after the previous year's list goes live
and I start hearing a wider range of holiday tunes. I was,
as is my nature, casting about the I'net last night looking for
inspiration and came across hipchristmasmusic.com,
which is a gold mine of the obscure and unjustly neglected among
holiday music. Also at least a silver mine of songs that
deserve their obscurity, but one learns to take the bad with the
good in projects like this.
The net effects of this calendar quirk are that 3 songs were taken
off the original version of this year's list and replaced by
late-breaking discoveries, and there are already at least a dozen
tunes in the holding pen for 02022. Sometimes songs that
seem like good choices in mid-December don't hold up so well when
revisited the following early December.
As to this number: Karla D. is perhaps best known for her album Is
This A Cool World Or What?, from which this song is not
taken. The album cover made it a favorite at Winter Camp
back in the days when Winter Camps could be counted with single
Arabic digits.
I want to believe that the home movies shown in the video are
actual family footage rather than something put together for this
project, but my willful naivete only extends so far.
6. My
Kind of Present, Meghan Trainor. I have organized the
collection (now 121 tunes) of AVMX music into a variety of
overlapping subcategories, which is useful when I’m
fast-forwarding through the flash drive that houses the whole list
looking for certain types of holiday music. A category
that’s kind of new this year is “Fun, but not necessarily funny”,
which I’ve mentioned as an idea several times (both of Jimmy
Buffett’s contributions, for example) but not quite formalized
before.
This song qualifies. I like MT’s work in general, but she
went off a cliff for a while there after All About That Bass
and Title, revealing herself in Dear Future Husband
and Lips Are Movin’ to be what Harry Burns would have
called a “high-maintenance woman”. It’s good to see that she
has pulled back from that edge a bit.
7. Cozy
Little Christmas, Katy Perry. Kind of a double shot
here, with #6. Two songs by popular singers who recorded
something new for the holidays. This is a trend that I like.
There was a third song that was on the edge of making this a trio
(which was not one of the 3 late cuts), but I has a suspicion that
it might blow up and get too much exposure sometime soon. If
I’m wrong, which is likely, maybe we’ll see it in 02022.
I woke up on the morning of 1 December with this song running
through my head, which I interpret as evidence that the universe
wants it in AVMX.
Far be it for me to deny the universe a simple request that is
consistent with the format around here: a fun little number that
isn’t overplayed in the annals of Christmas comedy.
The video here isn’t over any decency lines that concern me*, but
it’s Right. Up. Against. The Line. in a number of
places.
Feature or bug? You be the judge.
Optical matters aside, this is a nice little tune that is probably
getting all of the attention it can.
10. Santa
Island, Na Leo. After #9, a more upbeat–one
might even go so far as to say “peppier”–song seems called for to
close out this list. And there’s usually something peppy
among the music of Hawaii, including but certainly not limited to
the holiday tunes. After all, the ukulele, like the
banjo, is not an instrument on which to play the blues.
Io Saturnalia!
M–>
*–If indeed such lines even exist, which is an iffy proposition.
11 December 02020: Addendum for Advent
Steve from Allen Park, MI sends along the following:
Maybe there should be a different list of
Christmas covers we don’t need. Like anyone other than Jose
Feliciano doing Feliz Navidad.
That would be a very long list.
A very. long. list.
All the Jose-free versions of FN is a good start. Any
version of LC that is without Wham! also qualifies.
Many holiday classics are that way because of definitive versions
that should be left alone. Indeed, one could get off to
an excellent start simply by looking at this graph and saying "No
more remakes of any of these songs. Especially The Little
Drummer Boy*".
I've railed against remakes rather a bit in the ACME/AVMX series;
it's always worth reinforcing the "Write (or record) something new,
people!" mantra. In the case of Carly Rae Jepsen, though, it's
especially disappointing to see a remake, since she's also got a
nifty new tune out this year: "It's Not Christmas Till Somebody
Cries".
Consider this an extra to AVMX-11, bringing us to 111 songs in
total.
That would refer to the
place in line of this year's list of unjustly overlooked holiday
tunes*, not the length of the list, which remains fixed at the
standard-since-02014 length of 10 songs. (While that’s a
YouTube hyperlink, TGE is most assuredly not a holiday
tune.)
Observation: In assembling these
annual lists, I typically work from notes put together as much
as a year earlier, without giving much thought to the sound of
the songs. When I pulled the audio tracks all
together**, I was struck as to how incredibly variable these
sounds of the season turned out to be. Holiday radio
tends to be more jarring than other formats in its
transitions, but this year turned out to be very eclectic.
Which is probably a good thing.
1. To
Christmas! (The Drinking Song), Straight No Chaser.
The a cappella crew makes its 4th appearance, tying the Trans-Siberian Orchestra, as it
kicks off this year's decet. “What the holidays need is a
drinking song in the form of a countdown” has not been thought
often enough, perhaps, but it’s good that these guys did.
Commendably, they did not take the 99 Bottles of Beer on the
Wall route and sing out all of the days in the countdown.
And a reference in song to New Year’s Eve is always welcome ‘round
these parts.
2. I Want An
Elephant For Christmas, The Caroleers. Because
anyone*** can ask for a hippopotamus. This one’s a bit more
creative in the large-animal-as-gift category. It comes from
the Santa Claus Is Coming To Town album, which seems to
have some potential for future editions of this list.
3. Christmas
All Over Again, Tom Petty & The Heartbreakers. One
from the “mainstream artists recording their own Christmas music
rather than going the remake route”. This needs to be
encouraged. Say what you will about "Last Christmas" and "Whamageddon", the rush to
avoid it each year--but George and Andy at least had the decency
to record something new.
5. The
Season's Upon Us, Dropkick Murphys. The group's
name involves the word "Dropkick", and the album is called Signed
and Sealed in Blood. Surely fun is not far off, one
thinks.
One would be correct. The video is also kind of amusing.
Something I only noticed late in the writing game: This is the
only song in this year's edition of AVMX that doesn't have the
word "Christmas" in its title. Interesting, and completely
unintentional, but it's the first list with such a heavy ration of
songs that state their 25 December intent up front.
Entry #6 causes one to think of Stan Freberg's
Green
Chri$tma$, which is at once a comedy Christmas classic
and ineligible for inclusion on these lists by virtue of not being
(comparatively) obscure.
A song within that sketch uses the title of
this 01960 song as a recurrent phrase, if not, perhaps, a title.
Which makes for a nice connection between #6
and #7.
And AVMX
tries to include one "gone too long" tune per year.
That adds up to justification on multiple fronts.
Enjoy.
8. Moonbows
For Christmas, Amy Hanaiali`i Gilliom. Speaking
of green Christmases, here’s a song from Hawaii. With Colbie
Caillat and Imua, that's a hat trick of Hawaiian tunes beyond MK
that have been racked up here.
Fun fact; The concept
of a moonbow goes back at least as far as Aristotle.
Less fun fact: Moonbows are typically so faint that the human eye
cannot make out the colors. To the vast majority of us,
they're all-white. Long-exposure photography makes the
colors visible.
9. A Willie
Nice Christmas, Kacey Musgraves f/ Willie Nelson. In a
season where the nation seems to be getting much more liberal, for
better or worse, about marijuana****, the time is not far from
right for this. Lyrics like “leave some special cookies out
for Santa” admit to a less nefarious interpretation, but I’m not
sure anyone can put a drug-free spin on “may we all stay higher
than the angel on top of the tree”.
10. Christmas
Tips, Richard Kind. Parody is layered on top of
parody in this one--which means it's very much at home in
AVMX. Another in the "Christmas Tunes from Unlikely Places"
file, this one was written by John Mulaney for the Documentary
Now! TV series and sung by a terrific character
actor (Mad About You, Spin City, Curb Your Enthusiasm,
Red Oaks, Married--and the list goes on). CT
comes from the "cast album" of Co-Op.
The cast album took 24 hours to record, if the album cover is to
be believed. (A big "if", I'll admit.)
The show ran for one night, also according to the album cover.
It's nice that we have a show relic in this paean to holiday
gratuities, sung by a doorman.
Io Saturnalia!
M-->
*–All
eleven (in reverse order) may be found here, of course.
**--I have all 110 songs on a flash
drive. My memory game is to hit "shuffle" on that
when I'm driving and try to name the 110th song to be
played, which is a challenge that typically runs over
several days. I'm 1 for 1 this year.
***–Anyone can, but most people
really shouldn't, though, including Kacey Musgraves and
LeAnn Rimes (The Markives,
26 December 02018). Also, to be honest, anyone over the
age of 12.
****--Pardon
me. Cannabis.
10 December 02019 (Happy birthday [L. = L]
yesterday!): ACME-16/AVMX-10--Another 10 Gestures, Or "I've been
at this for a decade? How did that happen?"
That asked, it's been a good year for finding holiday
comedy--about 50% of the mix this year, depending on how one
counts #8. So we'll start out with something else entirely.
1. Christmas
Night In Harlem, Raymond Scott Quintette. The
conductor/arranger of scads of cartoon music (check out "Powerhouse")
shifts his band toward the holidays. This is another
Christmas instrumental, so it's a matter of looking carefully for
where the holiday influence has been assembled. You may find
it necessary simply to trust the title.
2. Elf's
Lament, Barenaked Ladies. It's time for something
upbeat, and to clear the 11-month wait on the list for this
tune. As I've mentioned before, a lot of Christmas hymns
sound more like funeral marches than anything remotely
celebratory. The winter holidays are supposed to be at least
a little bit enjoyable. Of course, the point of this tune is
that the elves regard the holiday runup as somewhat less than
enjoyable, which is a perspective worth thinking about in a
hypothetical world where elves exist.
If it makes life easier for some elves, "naughty" sounds that much
more appealing.
3. Christmas
Eve Eve, Paul and Storm. Another song extolling
Christmas Adam and thus pushing the envelope on the duration of
the holiday season. (Where was this last year when I was
putting together a run of songs about the days leading right up to
Christmas?) The opening line of this song is "Today we sing
the praises of December 23rd", which one can only hope means that
there are 365 other songs out there in a similar vein.
Okay, so that's among the longer of shots. (Right down there
with the hope that Lou Gramm's 01987 song "Midnight Blue" was part
1 of a 64-part salute to Crayola crayons.) That said, I like
the fact that this song steals some of Good King Wenceslas'
too-long-held thunder by also noting that 26 December is the feast
of Stephen.
4. Santa
Claus' Party, Les Baxter. Here's one of the
customary throwback pieces. The much-derided-around-here
chorales might do well to sing this a bit more and "Sleigh Ride" a
bit less.
"Flying Saucer" by Dickie
Goodman was soon followed by "Santa and the Satellite".
"Monster Mash" by Bobby
"Boris" Pickett led to "Monster's Holiday" (as heard on AVMX-9).
The Royal Guardsmen followed
up "Snoopy vs. The Red Baron" with "Snoopy's Christmas" (AVMX-2).
In short:
Novelty records from the 01950s and 01960s
frequently begat holiday-themed sequels.
So it is with this one. I haven't had any luck finding "An
Alley-Oop Christmas", or "Holidays At Camp Granada" (Allan
Sherman's "12 Days of Christmas" [AVMX-3] and "Christmas '65"
don't count here because they don't share the setting of "Hello
Muddah, Hello Faddah".), but it's not for lack of trying.
My dream here is that someone finds a reel of recording tape in
a closet somewhere on which Brian Hyland recorded "Itsy Bitsy
Teeny Weeny Velvet Fur-Lined Red Bikini".
One can wish--although, off on a tangent, we find that that
phrasing violates an odd
little grammar rule regarding the order of adjectives that
all English speakers apparently know, more or less by
osmosis. Here it is, from Mental Floss:
The correct order, according to this rule, would move "red" up
the list, and wouldn't scan as nicely (itsy-bitsy teeny-weeny
red velvet fur-lined bikini). But if that's the only
reason why that song doesn't exist, I'm prepared to grant a
waiver.
By the way, I submit that anyone talking about a lovely little
old rectangular green French silver whittling knife will sound
like a maniac regardless of the order of the adjectives.
Seriously, I am, in general, loath to consider products of American
Idol for inclusion here, which is why it's taken a few
years since this one's release to make it to AVMX.
However, as I'm known to like the color red, and have been
strongly in favor of new songs coming into the Christmas canon,
it seems right to recognize this attempt and move it off the
waiting list. It's not like it's burning up the airwaves
or the I'net with repeated play or a string of remakes.
Moreover, there's nothing out there that captures the element of
"risk" in the winter holidays nearly as well as this one
does. And that's important.
7. Waffle
House Christmas, Bill Anderson. Back to the
pattern in #5: There may be no "Pac-Man Christmas" in part
because Buckner & Garcia were busy producing the Waffle
House Christmas album from which this is taken.* This
album also includes what I consider to be a misguided WH-centric
version of "The 12 Days of Christmas", to wit: Waffles are
assigned the #2 slot on the countdown ("2 waffles baking"),
which is just wrong.
#1, as in "And a waffle with butter and
syrup"? That would work.
#5, to take advantage of the buildup to that
slot and the increased emphasis when sung, like "5 gol-den
waffles!"? Sure.
"Waffle" is in the name of the franchise, and so
deserves to be right up front or at the point of highest
emphasis in the list. That, and "A bowl of delicious hot
grits" is a massive letdown in position 1.
Back to the recording studio, folks.
8. Secret
Santa, Ana Gasteyer & Maya Rudolph.
New in 02019 is this post-Saturday Night Live
collaboration. Clever wordplay, plus, as a bonus, one
cannot fail to be impressed with Sugar and Booze as an
album title.
9. That's
What's Wrong With Christmas, Bill Engvall. Country
(ish), blues, comedy, and Christmas. It seems like it
might be challenging to hit the quadruple intersection of all 4
of those musical sets (region ABCD in the diagram below).
And yet Engvall has done it. I'd
hazard a guess that that section of the Venn diagram is not
crowded, but this song shows that it's not empty, either.
10. Cathedral
Bells Are Ringing, Frank Mills. As we opened
with an instrumental piece, so too do we close that way.
(This is the 8th holiday instrumental in the AVMX collection so
far.) The man behind "Music Box Dancer"** turns toward the
winter holidays. This one doesn't bury the holiday
connection quite so deep as in #1. Just in case you don't
go in for thinking too much about holiday music.
For me, that ship*** sailed long ago. And so we reach song
#100.
Io Saturnalia!
M-->
*--There's a Pac-Man
Christmas album,. but it's a kids' record and shows no signs
of B&G's participation.
**--Fun fact: Mills' tune "Peter Piper" (the B-side of my copy
of MBD) was the theme song for my comedy radio show at WJJX-AM
in Ann Arbor, the Late Night Laugh Attack. Which was
renamed the Tuesday Night Laugh Attack when the semester and
my air shift changed.
***--Possibly three ships, it being Christmastime.
10 December 02018 (Happy birthday yesterday!):
ACME-15/AVMX-9--The Order Question, Addressed And Possibly
Resolved
Figuring out the tunes for this year's
collection of overlooked holiday music wasn't too tough.
(There was one incident: Over at KQNG-FM, where morning man
Ron Wiley doesn't ordinarily play any Christmas music
until mid-December, he made an exception and aired something that
was basically a mashup of lyrics from many many tunes in kind of a
clever way. Unfortunately, I didn't hear the title or
artist, and the online program guide didn't include it. Had
I been able to track that one down, it'd've been here in place
of...something. As it is, I'll be on the hunt for it for
next year.)
Putting the 10 songs in a coherent or approximately coherent order
was the challenge. This matters in part because I've built a
memory game around the 90 songs that have been included in this
ongoing experiment. Said game works better if I have an
order to each year's playlist, and I was trying to come up with an
ordered lineup for this batch that made sense. There were a
couple of blocks of songs that made sense in succession, but it
wasn't easy to string all 10 together in a way that felt right.
This is the best arrangement I could come up with.
1. Yabba-Dabba
Yuletide, Brian Setzer Orchestra. We begin with
a holiday song that borrows the tune of the opening theme song to
The Flintstones. That makes it appropriate as a
leadoff entry for this block o' tunes. It puts the fun into
the holiday season, which is important to me. This fills the
"11 months on the waiting list" position for 02018, as I first
heard it last December when driving between Albion and Findlay,
after AVMX-8 went live.
We now move into a run of pieces loosely organized around the
December holiday calendar.
2. Ring
Out Solstice Bells, Jethro Tull. Yep, another
one aimed (by me, not by the band [I assume]) at the "war on
Christmas" warriors. Since the winter solstice predates
Christmas itself by a few days, the calendar watch starts here.
3. Christmas
C'mon, Lindsey Stirling feat. Becky G. Once the
solstice hits, the countdown to Christmas, already in single
digits, takes on new urgency--and even, perhaps, a certain
impatience. One thing about this song: Lindsey S. is a
talented violinist, which comes through in the music, but I shall
ever have two thoughts about electric violins:
a. That's just a funny-looking instrument.
b. That's still an odd choice for the cover
of a calculus book.
The joke is on me, of course, as James Stewart's Calculus:
Concepts and Contexts is one among his collection of some of
the best-selling calculus textbooks of all time. A crown it
deserves to wear, in my opinion. I've taught out of that
book once or twice, and it seems like a good one.
5. On
This Christmas Day, Moody Blues. And rolls
forward one more day, to Xmas itself. Combined with #2, this
gives kind of a classic rock feel to the first part of this list.
On now to less temporal matters, and some holiday laughter.
6. Monster's
Holiday, Bobby "Boris" Pickett. It bugs me, as a
comedy aficionado, that polls or lists
of the "worst songs of all time" (Christmas or otherwise)
frequently heap a disproportionate amount of scorn on novelty
songs, this one included. Not everything can be "A Day In
The Life", most artists shouldn't try to write something like
that, and sometimes you just want a fun tune. (As with
movies, it's not necessary that every song make a person
think.) While this is no "Monster Mash" (not much is), it
qualifies on that third point.
With that comedy break taken, we move now to three artists making
their second appearance on these lists. One of the three
continues the comedy; the other two are certainly fun bordering on
funny.
7. Cherry
Cherry Christmas, Neil Diamond. It takes a
certain level of nerve to splice "Cherry Cherry" in for "Very
Merry" in a holiday greeting, and then another level to write a
song name-checking a couple of other ND non-Christmas songs among
the lyrics. Such nerve is exhibited very nicely here.
8. Ho Ho
Ho And A Bottle of Rhum, Jimmy Buffett. The idea
of combining the traditional pirate chant with Santa's laugh is a
good one, and Jimmy Buffett is the ideal singer to pull it
off. As I said on 20 November 02010 when introducing JB's
"Christmas In The Caribbean" as the first song on the first one of
these lists, Björk could not carry this out with anywhere near
this level of authenticity.
9. Good
King Kong Looked Out, P.D.Q. Bach. P.D.Q. didn't
do a lot of direct parodies, although he wrote many of what Weird
Al Yankovic would later come to call "style parodies". This
one kind of straddles the line between the two.
Now, as we began with some opening credits music, we close out
this set with an instrumental work that could easily be the bed
over which closing credits might run. Additionally, this
song debuted in 01964, making it a worthy choice for the
"overlooked by time" category that I like to include once per set.
10. Jingo
Jango, Bert Kaempfert. One of the notable things
about this song is that it illustrates the minimum amount of
content necessary to get a song tagged as a Christmas song.
In this case, that would be an occasional track of sleigh bells in
and among the other instruments. Other than that, this could
set toes to a-tapping even in April or August. Between JJ
and the theme to the original Match Game, Bert surely
cashed a lot of nice royalty checks.
Io Saturnalia!
M-->
8 December 02017*: ACME-14/AVMX-8: An Exercise In Box-Checking
In compiling this year’s collection of underappreciated holiday
tunes, I found myself thinking about all of the criteria and
subcategories of music that I've established, formally or
informally, over the years to build each set. So much so, in
fact, that I made it the organizing principle for 02017.
Here we go. (The entire collection, 80 tunes now including
this list, may be found here.)
One of my personal memory games is to try to list all of the songs
I've highlighted over the years when I’m far from the I’net.
It helps to be able to get the first song in any given list, as a
trigger to memory, so I try to start each year with something fairly
distinctive. This qualifies.
I've done several other states (California twice, Hawaii, Nebraska,
Nevada); it’s time for a local shoutout of sorts (Of course, #1 this
year is very much a local shoutout.). It helps that this is a
good song.
This title actually sounds like it could check the “recognize other
winter holidays” box–except that that’s really not what it’s about,
despite the title. This paean to political correctness makes
an appropriate mockery of that whole mindset. It's from the
album Codependent Christmas, which seems to have the
potential for all kinds of mischief.
A look at the full title of this one gives a second category, the
already-checked holiday comedy requirement: “(I’m Just A New Year’s
Adam Looking For A) New Year’s Eve”.
As someone born on New Year’s Adam, I’m forever in favor of
highlighting that phrase.
5. Born On
Christmas Day, Anna Marquardt. Criterion; A tip of the visor to winter more generally, as
well as another check of the "other winter holidays" box.
Speaking of birthdays...I like the line in here where Ms. M. notes
that on her upcoming 25 December birthday, she will "beat Jesus".
Consider that bar cleared. Dark comedy will always have a
place among the tunes of AVMX. Truth be told, of course,
there’s no need for this–the 12 days of Christmas fabled in song
(and possibly also story) are indeed the 12 days after
Christmas. But it’s different, funny, and underplayed–good
enough for me.
We hit this criterion in #7, but it's worth a second look.
It's hard to go wrong with the Rat Pack, provided they can meet the
other standards around here.
This is a different tune entirely, remaking the title of a song
that’s usually excellent without words and borderline-appalling with
them. If you've ever thought that "Walk on the Wild Side"
would work better re-arranged for the holidays, you were
right. If it'd been called "Santa's Off On A Sleigh Ride",
this tune would've qualified for AVMX membership; the title conflict
just adds to the pleasure of logging it in. The Blenders have
also committed the Xmas crime of recording "Sleigh Ride" with the
lyrics, making a YouTube search for this song an exercise in dodging
metaphorical land mines. Worth the trouble, in my opinion.
Io Saturnalia!
M–>
*–Two days early, due to travel complications. Purists may
wish to wait until Sunday before listening in.
9 December 02016* (Happy birthday!): ACME-13/AVMX 7--Ten More
For The World
As the flow of bad Christmas music escalates, the quest for some
hidden gems continues (okay, it's not like it ever really
stopped). For convenience (largely mine), these annual
playlists have been compiled and posted as a single Web page here.
1. Gridlock
Christmas, The Hollytones. In pretty much every
alternate universe where Christmas is a thing, the “Hollytones” are
a singing group in the style of our 01950s or 01960s, probably
called a “chorale”. Surely they appear on television variety
shows wearing matching crew-neck sweaters, and they certainly sing
“Sleigh Ride” (ick**).
And yet in this universe, we have instead a stirring tribute to the
idea, given us by countless Hallmark Christmas specials, that
Christmas is wherever you find it. Even if that’s in a traffic
jam on I-5 in Los Angeles.
In Michigan, that sentiment would need only an extra “L”, but one
letter makes all the difference. In this case, it’s a very
funny difference. While the tune does stand up on its own,
this one is nearly inseparable from its video.
3. Silver
Nights, Sabrina Carpenter. Eleven months after
being scribbled on the obligatory desktop Post-It, this one makes it
to the official AVMX roster. I've already got a few songs
under consideration for 02017's list. (Time on list counts for
something when moving songs off the waiting list, plus I heard one
of them for the first time today after this year's decet had been
set.)
5. Christmas
Is Waiting, Betty Buckley. Remember WENN,
with its curious blend of the 01930s and 01990s, strikes again, this
time with a variation on my notion that “There’s room enough in
Christmas for everyone”.
Definition: A conventional musician is a musical act
primarily known for works that are considered mainstream by
reasonable non-expert human observers.
Axiom 1: Occasionally, conventional musicians will dabble in
comedy. Axiom 2: Many (too many) conventional musicians record the
occasional Christmas song or album. (Around The Markives, we prefer the
folks who record one or two original songs without filling out an
album with pointless remakes, of course.) Common Notion 1: Given enough time and circumstances,
anything that isn’t forbidden will happen somewhere.
Theorem 1: Every once in a great while, a conventional
musician will record a funny Christmas song.
As proof of Theorem 1, we have this number. QED.
7. Be The
Present, Imua. A holiday tune from Hawaii, proving
that Xmas tunes in the islands extend beyond Mele Kalikimaka.
For which we should all be grateful. Not that MK is
all that awful, but it's been done to death and beyond.
8. It
Snowed, Meaghan Smith. More of a winter song than
a Christmas tune, of course, but “expansive view of the winter
holidays” is a rule around here.
With this tune. Meaghan S. becomes only the sixth artist, and easily
the most obscure performer, to appear more than once in this
now-70-song set***. (She’d’ve been #5, but Betty Buckley leapt
in three slots ahead of her this year.)
9. Here’s
Your Sign Christmas, Bill Engvall. This is a cut above
Jeff Foxworthy's "Redneck 12 Days of Christmas", which is ineligible
for consideration here because I don't generally list parodies of
"12 Days".
If there's a "Git-R-Done Christmas", I don't really need to know
about it. Let this stand as the best holiday offering from the
Blue Collar Comedy crowd.
10. Zat
You, Santa Claus?, Louis Armstrong. This year’s
flashback tune. It also seemed very appropriate to end this year's
list with a song starting with Z.
Io Saturnalia!
M–>
*–This goes up one day early, because I won’t be near my
office tomorrow and so won’t be able to post this. Click
through before December 10 or not, as may be your wish.
**–I recently found such a version of that song that isn’t
awful. Since it was on a radio aircheck, I have no idea who
was singing, though.
***–In order: Trans-Siberian Orchestra (the only folks with 4
among the 70), Dan Fogelberg, George Winston, Straight No Chaser
(the only folks with 3), and the aforementioned Ms. Buckley.
10 December
02015: ACME-12--A Very Markives Christmas, Volume 6
It’s
that time again. Here are ten more songs that would make
all-Christmas all the time radio much more pleasant to listen
to, if they ever got any real airplay.
Not that this one stands a snowball’s chance in a forest fire of
getting much radio exposure. But consider the opening
lyrics:
It's
the season of grace coming out of the void Where man is
saved by a voice in the distance
There’s no mention of a
supreme being or the lack thereof, and I suspect that most
people, regardless of their spiritual leanings, could get behind
this sentiment. The song continues in a similar vein for
its remaining 17 lines, and the message triumphs over the title,
if you ask me.
Stripped of the title
(rename it "Season of Grace", maybe), this could be a “new
holiday classic”. It's certainly preferable to "All I Want
For Christmas Is You", which is generally acknowledged to be the
most recent song to join the Christmas canon*. With its
title, forget about that. Nonetheless, one of my most
deeply-held holiday convictions is that “there’s room enough in
Christmas for everyone”, and that applies here, perhaps more
than anywhere else. At a time when even Pope
Francis has been caught saying some nice things about atheists,
this seems an appropriate contribution to holiday tunedom.
2. 2000
Miles, The Pretenders. This one was featured
on an episode of Studio 60 On The Sunset Strip, a show
to which I have an unusual attachment, as you may know. I
got to it via a back route not involving that show, which may
explain why it’s taken awhile to show up on one of these lists.
This is also a case
where it’s good to go back to the original artist–KT Tunstall’s
version was the one that triggered my interest, last December
after Volume 5 went up, but I have rather strong feelings about
holiday remakes.
3. Nutcracker,
Straight No Chaser. I am not a fan of ballet in
general, nor of The Nutcracker in particular. This
surprises no one. That said, I was drawn in part to this
tune by a recent Dear
Prudence column involving a meddlesome grandmother whose
11-year-old granddaughter had apparently made it a mission not
to see said ballet, and who wanted to know if she could force
the child to submit to a performance.
In a word, no.
But kudos to that child
for staking out this position and sticking to it.
And kudos also to SNC
for taking down that ballet in such fine fashion.
4. Chiron
Beta Prime, Jonathan Coulton. Because if you
were forcibly relocated to an alien planet by robot overlords,
you would surely have cause to mention that in your holiday
newsletter.
One might even argue that that’d be a pretty good reason to
start such a newsletter.
5. Warm
Lovin’ Christmastime, Wilson Phillips. There’s
no real reason to avoid this song, which I mentioned a few years
back (The Markives, 5
December 02010) as a Mellowmas entry logged over at popdose.com. Mellowmas
is ending after this holiday season (though surely the flow of
bad holiday tunes will not), so this is a chance to recognize
one song they highlighted that turned out not to be awful.
And as I said in 02010, in a tribute to dexterity:
Moreover,
there's something about a song being sung by three women
that includes the line "We can write our names in the the
fallen snow" that makes it worth recognizing.
Its abuse
of the English language includes the phrase “full of
Yule”. I’m not sure what that implies. It’s not
like Yule, as I understand it, is a tangible product.
And yet...the tune is just
so unabashedly catchy and–dare I say it?–fun that I can’t
resist it.
8. Naughty
List, Forever In Your Mind. Because someone
needs to stick up for the kids getting coal in their
stockings. And because this is kind of amusing, and different
from the typical tone of Christmas songs--which is something I
like to recognize.
9. Nicki
And The Crew, Treetop Sisters. I stand against
the introduction of children's choirs into holiday music with as
much commitment as anyone. The fact that these children
are not a choir is enough to get this otherwise-worthy song onto
this year's list. In additional, this song also ticks the
"other late December holidays" box by mentioning Christmas Adam.
In the world of overfamiliarity that I was touching on last
entry, I'm willing to carve out an exception for calling Santa
Claus "Nicki", in no small part because of its sheer
brazenness. "St. Nick"--common. "Nicki"--not so
much. Well-played.
(This song does refer to Rudolph as "Rudy", though, so maybe it
should be included with an asterisk.)
10. Save
Some Snow, After Romeo. Once again, the list
features a song that's been sitting in limbo since I first found
it last December. Off now to monitor the radio in search
of the song to fill this slot for 02016.
Io Saturnalia!
M-->
*--Christmas Canon, by the
Trans-Siberian Orchestra, hasn't even cracked that
list. Seems like it'd be an obvious choice.
10 December
02014: ACME-11--Or, A Very Markives Christmas,
Volume 5
One thing that hits me each
year as I start assembling this alternate playlist
is "Where am I going to find 10 (ish) more
overlooked holiday tunes that are actually good
as I define the term?". It turns out that it's
not much of a chore, just a matter of paying
attention and looking under a metaphorical rock or
two. There's a lot of good holiday music away
from what lands on ACATT radio, and it's a very
minor tragedy that the programmers at those stations
don't expend the effort to find it.
I do what I can. Enjoy this year's tunes.
1. Hanukkah
In Santa Monica, Tom Lehrer. We
start off the 02014 alternate holiday soundtrack
with a more-obscure-that-it-deserves-to-be tune from
what might, in mainstream America, be called an
alternative holiday. The committed wordplay
that rhymes "Shavuos" with "East St. Louis" here is
criminally unrecognized.
2. Fa
La La, Elizabeth Chan. Ms. Chan has
taken on writing Christmas songs as a full-time
obsession, and claims to have written over 300
original holiday tunes. It's nearly
axiomatic that at least one of those would be
good, and so we have here "Fa La La".
There's an extended Hanukkah reference in here as
well, which provides a nice connection to #1 and
the rest of the late December holidays.
It's also nearly axiomatic that at least one of
those songs would be awful. "Vixen"
fits that bill, perhaps in the "so bad, it's
almost good" department. While clearly not
safe for work or for small children*, the sheer
audacity of lines like "I want a map to Santa's
lap" is close to amusing.
Excellent! This is far far
better than the Nth remake of "The Little
Drummer Boy" or other Xmas catastrophes of
earlier generations.
I stand by every word of that comment.
Every.
Word.
4. Christmas
In Nebraska, Mulberry Lane. Continuing
the holiday travelogue subseries (Caribbean,
California, Las Vegas, Heaven, Ground Zero[?])
here. I've never been to Nebraska, but I
respect home-state loyalty as much as most, and this
sisters' group named after the street where they
grew up has recorded a decent-enough argument for
the Cornhusker State. There's not a lot that's
been written about Nebraska, so this should make
most short lists of the finest tunes referencing
that chunk of the Midwest.
5. Alan
Parsons In A Winter Wonderland, Grandaddy.
I am a big fan of Alan Parsons' work, both as a
producer and engineer and as a performer with and
without the Project. Even without that
predilection to enjoy something like this, I think
I'd've found this another Christmas comedy
classic. Why Parsons? It's not
immediately clear from the lyrics--but when the song
doubles down on the title character with the lines
"In the meadow we can build a snowman/And pretend
that he is Alan Parsons", the song's true comedic
genius is revealed much more clearly. This
could, of course, also work with other
semi-celebrities with four-syllable names--Robert
Mitchum, say, or perhaps Kathy Griffin.
The original "WW" (like "Jingle Bells", "It's A
Marshmallow World", and "Let It Snow", among others)
isn't a Christmas tune, nor does this parody mention
12/25 explicitly. However, since I take an
expansive view of December music, this works for
me. Well done, Grandaddy.
6. I
Found The Brains Of Santa Claus,
Jason and the Strap-Tones. This one is finally
appearing on one of these lists after being the last
song cut in 02012 (a little too comedy-heavy that
year, I thought) and 02013 (13 songs was
enough). Silly in a good way.
Now...The
juxtaposition between #6 and #7 constitutes
approximately a 100% change in tone, but jarring
transitions are an essentially unavoidable
component of holiday radio as it's practiced in
America these days.
7. You
Make It Christmas, Betty Buckley.
Here's a holiday song, 01930's in tone, 01990's in pedigree,
from Remember
WENN, the TV show that I would argue
started AMC's transition away from its declared
classic film niche. The channel was eventually
targeted by a lawsuit in New York (The Markives,
9-10 August 02005) challenging their commitment to
truth in advertising, although it was less WENN
and more the Three Stooges that prompted that
action. In addition, there are the tips o'
hats to other holidays that I so respect when
picking tunes for this series.
8. Jingle
My Bells, The Boy Least Likely To.
Each December since I've started this thing of
alternate holiday playlists, it seems as though
I find at least one new-to-me holiday tune right
after I post the year's list, and so it
was in 02013 with this one. The artist and
title leave one suspecting that this should be a
novelty song, but that's not really the case.
9. Merry
Christmas You Suckers, Paddy Roberts.
This one, on the other hand, is pure comedy.
Props, too, for rhyming "splendid" with
"distended". In a very real sense, this
strikes me as a somewhat more accurate version of
the Markives-derided
"Have Yourself A Merry Little Christmas", right
down to the line "It may be your last", which was
originally part of "Merry Little" and is cut from
most recorded versions.
10. Forever
Christmas, Afterglow. Afterglow
is a Utah-based band, and I first heard this song
while driving between Las Vegas and Zion National
Park last December--again, not too long after
ACME-10 went live. I haven't heard it since
(okay, I haven't tried too hard), but it stuck
with me as another worthy entry here.
Io Saturnalia!
M-->
*--Seriously. Use considerable
caution if clicking through.
12 December 02013: ACME-10:
Songs For All Seasons
This year's Christmas music entry takes a
slightly wider--in several senses of the word--view
of the winter holidays.
1. At
Christmas Time, Dan Fogelberg. In
a nod to the original meaning of the season, this
one starts off with the line "At Christmas time we
raise our hearts* and celebrate the solstice."
Hear that, "War On Christmas" warriors? Solstice.
This also works in the "Lighten Up, America!"
subgenre around here. No further commentary
required. (Dan F., by the way, got a mention
on last night's Late Night With David Letterman
in the show's annual holiday
music Top Ten list.)
2. Christmas
In California, America. I like a bit of
geographical diversity in my holiday
tunes. Hence "Christmas In The
Caribbean" on the first holiday mix (02010) and #2
and 3 this year.
3. Christmas
In Las Vegas, Richard Cheese.
Speaking of geography, this also fulfills my
commitment to include comedy in these annual
lists. There's no mention of Christmas lights
on cactus, but that's about all that's missing.
4. Christmas
Lights, Blush. I've been sitting on this
one since I heard it on the radio last year after
ACME-9 went up. Another Sirius find, at least
originally for me--which means that it's been
scribbled on a scrap of paper on my desk for
months now, as is my nature with ACME's.
5. Whistle
'Neath The Mistletoe, Briana Winter. A
second Sirius find, this one was released last year
on an "indie" album. I've been listening, very
occasionally, to Pandora's Indie
Holiday Music channel, and I find most of it
way too dull for my tastes--many artists in that
genre seem to have forgotten the notion that
Christmas should be, at some level,
enjoyable.. This one manages to avoid the
worst of the darkness of indie music.
Time to shift gears a bit. I have decided
that, to my ears, the folks who damage most
traditional holiday hymns for radio airplay are the
singers, and that some hymns which don't work
because of the pseudo-operatic bellowing that many
folks bring to the table are perfectly fine tunes
when performed without vocals. The challenge
there is finding the songs for which the lyrics
aren't so well-known (and overblown, in many cases)
that they earworm their way into your brain.
"O Holy Night", for example, can't be saved by
giving the singers the day off--it's hard to hear
the tune without thinking of the lyrics, often being
sung badly. You need the vocals to exist--it's
hard to tag a song as a Christmas tune without
them**--but if they can be fully and completely
jettisoned from the performance and from your mind,
what's left is sometimes worthwhile listening.
The cutoff, I have determined, is "Carol of the
Bells". Yes, it's got lyrics, but they're
somewhat obscure, often confusing***, and probably
not, in the large, familiar enough to be an
earworm. So here's a shift to lesser carols
that work better instrumentally.
6. Jesu,
Joy Of Man's Desiring, Alon Goldstein.
The link here is to an organ version, but there are
certainly other instrumental arrangements that
work. So long as the choir has the night off.
7. The
Holly and the Ivy, George
Winston.
There's no reason to prefer one piano arrangement
over any other, but I kind of like this one
anyway. George W.'s December album
does a good job with the holiday tunes.
10. Nutrocker,
Trans-Siberian Orchestra. What I find
interesting about this piece is that it was first
released on a non-holiday album (Night Castle).
For a band that's primarily known for their takes on
holiday tunes, this is an impressive stretch.
(The title of TSO's recent EP, Dreams of
Fireflies on a Christmas Night, makes one
wonder a bit about the geographical authenticity of
their name. I doubt that there are many
fireflies traversing Tunguska in late
December. It's geographical diversity in a
good sense, I suppose.)
*--I'm not sure how that works either.
**--Exception: Linus
and Lucy, although if someone later went
all Mitchell Parish and retconned lyrics to
that tune, I don't need to hear them.
***--See A
South Park Christmas, where "Ding dong
m'kay" makes perfect sense.
10 December 02012: ACME-9--Something Old and
Something New
In writing the 2012 annual Christmas music entry, I
find myself reconsidering my stance against "The
Twelve Days of Christmas" in these yearly
missives. Norm MacDonald's take on the song is
one thing that's turned me --well, maybe not around,
but certainly aside:
Also contributing to this reassessment is the Allan
Sherman collection My Son, The Box*, in
which we find that his version, "The
Twelve Gifts of Christmas", was censored at
original release. Here's a 21st-century take
on the original:
With that song--in its original form--kicking
off this year's holiday lineup, here's the rest of
the best for 02012:
2. Christmas
Can-Can, Straight No Chaser. SNC
also has an interesting take on "12 Days".
This song title and artist have been scrawled on a
Post-It on my desk for about 12 months now--just
after ACME-8 went up last year. It could have
made for an interesting puzzle if someone, in the
event of my untimely demise, had been cleaning out
my office and found it.
3. Christmas
In The Sand, Colbie Caillat. New
for 02012 is this reminder that a white Christmas
might very well refer to sand and not to snow.
It's got an entertaining video as well.
4. Christmas
Kiss, Meaghan Smith. This showed
up, rather unexpectedly, in my Pandora feed
about 6 weeks ago. Properly promoted, I submit
that this could be a "Call Me Maybe" for the
holidays. It's got the right level of
flirtatiousness without descending to Maudlin
Town. Ms. Smith also does a rendition of "The
Little Drummer Boy" without all the
"pa-rum-pum-pum-pum"s. It doesn't make the
song better except in that it makes it shorter, but
it's an interesting idea. Once.
5. Do
You Know How Christmas Trees Are Grown?,
Nina Van Pallandt. Yes, it's a holiday
tune from a James Bond movie (On Her Majesty's
Secret Service). The universe can still
amaze me sometimes. This turns out to be a
fairly complicated little number, in a good way and
a way that a lot of more well-known holiday tunes
are not.
6. Let's
Have A Drug-Free Christmas, Tim Cavanagh.
Nice sentiment in the title, plus one must admire
the wordplay in the lyric "Spend the day on
Grandma's farm/Not on pharmaceuticals".
7. Happy
New Year, Spike Jones & The City
Slickers. Fulfilling the "old" in the
title, this one has an odd personal connection for
me. The song is a recitation of various
Slickers' New Year's resolutions, and one near the
end is a commitment to better comedy leading up to
the line: "I resolve not to tell a corny
joke." A telephone then rings, and Doodles
Weaver's side of the conversation goes "Hello.
What's that? The church burned down?
Holy smoke!".
An epic fail for the resolution, of course, but...I
actually got to use that last line, completely in
context, once, upon hearing of a church fire here in
the current hometown of The Markives.
Definitely a moment to be remembered.
And now for something in a more classical vein:
8. Throw
The Yule Log On Uncle John, PDQ Bach.
I am not for a minute advocating this course of
action, but just in case, it might be best if Haley,
Sarah, Megan, and Natalie didn't click through on
this one.
Io Saturnalia!
M-->
*--MS,TB was released in 02004.
Though I bought it right away, I'm a bit slow in
talking about it here.
9 December 02011
(Happy birthday!): ACME-8--Another Round Of Worthy
Holiday Music
It had been my
plan since about last February for the next annual
Christmas music entry to be "Remakes That Don't
Suck". However, after spending way too much
time in 02011 considering some of the most
ill-conceived ideas ever re-recorded, I have
dropped that plan. I only found three, one
of which is kind of questionable. While
they're included below, here's my 2K11 holiday
mix:
1. "Santa
Baby",
Madonna. Eartha Kitt did a fine job
with the original, and the mid-01980's version of
Madonna was a dead-on accurate choice for this
version. Laurie happens to like this tune,
which is not an insignificant consideration.
2. "Deck Us All With
Boston Charlie", from Pogo.
Last year's list included a "Deck the Halls"
parody as the #2 track, and this one seems to be
an appropriate followup--and possibly the start of
a tradition around here. The linked version
here only includes the first verse--there may be five
more in the canonical list, but the first is
the best by a wide margin, from both musical and
technical perspectives.
3. "Snoopy's
Christmas", Royal Guardsmen.
As long as we've got one comic strip tune here,
let's keep the theme going.
4. "Christmastime
Is Here", Vince Guaraldi and Orchestra.
Three in a row from the comics. (I'll stop
now.) Here's a holiday tune that should just
not ever be remade. What Toni Braxton did to
this song is criminal, in my opinion.
5. "It's
A Marshmallow World", Dean Martin.
"MW" has a curiously cloudy history, so much so
that it was difficult to pin down who recorded
this first. That having been said, whether
or not it was Frank Sinatra, it was not Dean
Martin. That
having been said, and I cannot stress this enough,
this is not a Christmas song. There's no
real mention of any winter holiday, and so much
like "Jingle Bells", "Frosty the Snowman", and
"Winter Wonderland", to name a few, radio stations
could continue playing this into February--yet
they don't. Tragic.
6. "What
Is Christmas?", Trans-Siberian Orchestra.
I have to tip the ol' visor to a holiday tune with
a stanza like "What is Christmas?/Candles
everywhere/A fire hazard/Any other day". The
point made slightly earlier on, that Christmas may
just be "an ex-cuse to tolerate snow", is also
worthy.
7. "Christmas
Dragnet", Stan Freberg. This
one is a particularly timely and poignant entry,
coming as it done on the heels of Harry
Morgan's death Wednesday. As a Freberg
tune/sketch, it falls somewhat uncomfortably in
between "St. George and the Dragonet" and "Green
Chri$tma$", combining the features of each without
quite rising to the level of either. But
since Joe Friday is more on our minds this week
than usual, and since the piece is not by any
stretch awful, here it is.
8. "7:00 News/Silent
Night", Simon & Garfunkel.
Third (and final) on the list of worthy remakes,
this is one that could easily be remade again--all
you'd need to do is record a new news track to be
read over the tune. This could be a
(depressing) annual tradition. That of
course, is only sort of a good thing.
I am reminded, in considering this track, of
WLS-Chicago's Holiday
Festival of Music, which was noted for
tracking Christmas preparations and explaining
holiday traditions at the top of each hour in and
around holiday tunes during the countdown to
midnight on 24/5 December. In the midnight
segment, there's an extended piece which includes
a poll-taker asking people what their favorite
Christmas song is, and "SN" heads the list--by
design, of course, because the aircheck leads into
a version of the song. Nonetheless, I'm not
sure that that would really win an open
poll. I suspect its popularity on that piece
is more a matter of "I must think of some
Christmas song quickly...um...Silent Night!" than
any real preference for the tune.
And while it would be nice to have this one end
the collection, you can't go out on a track that
closes by talking about 5 more years of war in
Vietnam, so...
9."Christmas
In Heaven",
Monty Python. This one makes the
cut in part because it provides a tenuous
connection between another very non-Christmas song
and Christmas. One of the very non-Christmas
songs that still manage to slip in to
"all-Christmas, all-the-time" radio playlists is
"My Favorite Things", from The Sound of Music.
I can't explain it, and certainly won't try.
The closest connection between that tune and any
winter holiday is found in a passage from this
song: "It's Christmas is heaven/There's great
films on TV/The
Sound of Music twice an hour/And Jaws 1, 2,
and 3".
I doubt that that's the reason why we hear this
song in December (and in no other months of the
year), but I suspect it's the best explanation
we're going to get. And it's still not
a holiday tune.
Over at xkcd,
there's a slightly different take on holiday music
today which makes some of the same points I've
been hinting at for the past 7+ years:
Io
Saturnalia!
M-->
28 November 02010
(Happy 22nd!): ACME-7--An Attempt To
Be Part Of The Solution
Usually, I'm part of the problem. For no
apparent reason, it's gotten into me to try being
constructive with the annual Christmas music
entry.
My railings against abuses of the musical scale at
this time of year have been an annual tradition
here at The Markives.
For a change, I have compiled a track list of
holiday songs worthy of more attention than they
typically get in the clutter of pointless remakes
that typifies Christmas music. A couple of
ground rules:
1. No remakes. Obviously. Sampling, as
is sort of done in track 9, gets in just under the
cut line.
2. Along the same line: No pseudo-operatic
bellowing. This probably doesn't cut out
anything that rule 1 lets through, but better safe
than sorry.
3. It's me, so there's going to be comedy on this
list. While parodies are eligible for
consideration, there will be no parodies of "The
12 Days of Christmas" here. Not that they're
all bad, but too many of them run out of good
ideas around Day 8. Examples inlcude Frank
Welker and the Bob Rivers Comedy Corp.
Exceptions include Allan Sherman and Jeff
Foxworthy--neither of whom feel compelled to
repeat the entire list all that often. This
matters. For an example of a non-comedy
parody that does it right, check out the version
by the Canadian Brass.
On to the music!
1. "Christmas
In The Caribbean", Jimmy Buffett.
This one came up recently on Sirius/XM's "Holly"
channel--I found it while channel-surfing--and got
me started thinking about compiling this set of
tunes. Pretty much remake-proof, as it's
hard to imagine this song sounding anywhere near
as authentic in anyone else's hands. Not
that lack of authenticity stops some remakers, of
course--but I can't see this one ever appearing
on, say, a Björk Christmas album.
2. "Deck
The Stills", Barenaked Ladies.
Since we're already having fun with the first
track, this is a good place to ramp up the
levity. DTS
is simply a repeated recitation of the name of the
band Crosby, Stills, Nash, and Young to the tune
of "Deck the Halls", and just silly enough to
dodge the "remake" bullet. For those of you
inspired to try this at home, it runs one verse,
and you close out on "Crosby" if you've done it
correctly.
3. "Must
Have Been Old Santa Claus", Harry Connick,
Jr. The humor level drops off, but
the fun continues. Harry C., of course,
remains free to remake "Mistletoe and Holly" as he
may wish with my preapproval (The Markives, 4 December 02005),
which should mean exactly nothing to him.
4. "Kill
A Tree For Christ", Celtic Elvis.
Nowhere is the tension inherent in the
secular/religious duality of the holiday explored
so well as in this number. In light of her
frequent annual declaration that she wasn't sure
what possessed people to cut down a tree and bring
it into the house in mid-December, I think even
Mom might appreciate this one.
5. "Old
City Bar", Trans-Siberian Orchestra.
Dipping into TSO's work for the first of two*
selections, we have this overlooked gem. One
of the more annoying subgenres of bad Christmas
television is "curmudgeon (of any age, from
6 to 600) discovers the 'true meaning' of
Christmas, and maudlin-ness ensues".
Frequently this programming includes bad remakes
of holiday tunes. Leaving out the fact that
the "true meaning" of Christmas is a pagan ritual
celebrating the winter solstice, thus calling the
legitimacy of that whole enterprise into question,
OCB does
neither. There may be some discovery--the
lyric "For the rest of the night/No one paid for a
drink." suggests that--but it is far from
maudlin. It's enough to forgive the
songwriter for setting this piece in New York City
for no apparent reason. Even in live
performance, the presentation
focuses--astonishingly--on the music, not the
drama.
6. "Same
Old Lang Syne", Dan Fogelberg.
Track 5 takes place on Christmas Eve, and Track 7
will reference New Year's Day briefly, so let's
venture up the calendar a little for this one,
which facilitates the transition by doing
both. For better or worse, given his
December 02007 death, this is probably the song
that Dan F. will be best remembered for. He
had a fine sense of humor and loved abusing the
English language, so slotting him before Weird Al
seems like a good fit. The song is set on
Christmas Eve and uses a chunk of ALS in the
closing, which makes it just fine for the holidays
in my opinion.
7. "Christmas
At Ground Zero", Weird Al Yankovic.
This song gets less attention now than the little
it did before 11 September 02001, which may be the
result of some folks pushing the sensitivity lever
too far. Celebrating Christmas during a
nuclear attack is just the right kind of crazy for
my tastes. This record deserves
better. "The Night Santa Went Crazy" doesn't
rise to the level of this one, alhtough it's been
getting more attention since "Zero" has slipped in
these politically senstive times.
8. "A Lonely Jew On
Christmas", Kyle Broflovski. In
perusing the South
Park holiday oeuvre, and in desiring to
maintain a minimum standard of decency (this list
does, after all, appear in close proximity to
Natalie's picture), the field is rapidly narrowed
to this.** It continues the thread of
recognizing other winter holidays as well.
9. "Christmas
Eve/Sarajevo
12/24", Trans-Siberian Orchestra.
One more from TSO. I'm a bigger fan of this
assault on punctuation than I am of their other
radio-friendly tune, "Christmas Canon", and while
"Wizards In Winter" is another fine instrumental,
it's not as clearly a Christmas record. This
is probably my favorite non-comedy Christmas song,
in no small part because it holds up outside the
context of the story running through the Christmas Eve and
Other Stories album.
10. "Can't
Wish You A Merry Christmas", Capitol Steps.
Most of the Steps' holiday tunes, like most
political satire, have a very short shelf
life--we're not going to be singing "Now CBS Has
Letterman" much now that the late-night battle of
01992 is over. (Too bad, actually--that
one's kind of a fun song.) This one is quick
(less than a minute), still relevant today, and
name-checks the ACLU. A triple play, and a
fine way to close this imaginary album.
Io Saturnalia!
M-->
*--I might also have picked "Ornament" by TSO
(I find it interesting that there aren't more Xmas
songs with "ornament" in the title), but two out of
ten from one artist already seemed to be pushing the
limit.
**-- I did consider Christmas Time In Hell as well as
the Santa-Claus-and-Jesus-as-lounge-singers medley,
but the former loses too much without the video and
the latter is all about remakes. Right
down to Rio.
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